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Best of 2017: Episodes

Unsurprisingly, many of my favorite episodes this year dealt with the idea of connection in some way (or the lack of it). There’s our connection with ourselves and our desires, connection with our friends and family, and connection with our cultures. They are about seeing ourselves as part of a larger whole and the confidence and power that brings. No one does anything alone, we need each other to create a better and functional world. That will always be my favorite kind of fiction and it was a good year to see that reflected on TV in a variety of ways.

If you want more year end fun, be sure to check out all of MGCircles’s lists as well!

1. You Wanna Roll With This (Playing House) This episode is perfect. In 21 minutes, there is not a single misstep. This show is always full of warmth and laughter with just the right amount of weirdness but this episode goes above and beyond. This cannot have been an easy experience for Jessica St. Clair and Lennon Parham to relive and fictionalize but the fact that they had just been through this together makes all the emotion that much more real. It’s a serious episode and a serious arc but the show never gets too bogged down in worry and unnecessary drama. It’s always treated as something Emma will survive, even when characters give into their natural concerns. The guest casting in this episode is flawless. Laurie Metcalf makes an appearance as Emma’s oncologist and Michaela Watkins as her plastic surgeon, both of whom are the sort of doctors anyone would want on their team. They are the best at their job and their bedside manner is the right amount of comforting but firm (especially on the “no Googling” rule) and I can’t imagine anyone else more fitting for the roles. I’ve already talked about Emma and Maggie but this episode really shows that these two are the best. They are on each other’s team forever and it’s consistently beautiful to watch. Similarly, Emma and Mark are so easy and free together. It’s the natural extension of where they’ve been headed since Emma moved back and the history between them just makes this second chance even sweeter. They know each other and have seen each other at their worst and weirdest and they still love and chose each other. No one ever compared to the other and all those years apart didn’t chance that. They tease each other with the ease of people who have known each other for a long time. It’s completely without venom and so full of affection that you can’t help but smile watching them. And those are just the main relationships! Even in the minor characters like the rest of the police squad and Dr. Ericson, there is so much love and kindness toward Maggie and Emma that makes me cry every time. I cannot say enough good things about this episode, it truly is the best of an incredible show.

2. You Get What You Need (Big Little Lies) Everything about this episode is stressful as the lies and secrets that these women are keeping from the world come tumbling out. While Madeline’s breakdown during the fundraiser is important as she confesses her infidelity to a supportive Jane and it gets everyone in one place for the extraordinary conclusion to this episode and season. But the star of this episode is Nicole Kidman and everything she puts into her role as Celeste with a strong but terrifying supporting role from Alexander Skarsgård. From the opening scene, the tension builds as Celeste comes to the realization that she has to leave. She can’t pretend things will get better any more, not after it’s clearly starting to have a negative impact on the man Max is growing up to be. By the time Perry calmly tells her that she missed a call from her property manager about her apartment while calmly checking Max’s loose tooth, the tension became nearly unbearable and stayed that way until the end. Things were reaching their boiling point and there was no going back. We got momentary bouts of relief as other characters pulled the focus away but it isn’t fully released until the beach scene. It is masterfully done. As Celeste stands her ground, Jane recognizes the face of the man who raped her. The horrified look on her face clues in Madeline who gets Celeste’s attention and it is the three of them against the world, with Renata joining their union. Seeing these women stand together is an emotional experience. No matter what has happened in the past, they are united in their attempt to stop Perry. Bonnie is finally the one to get rid of him and their group expands once more. And by stopping this man together, they find unity, peace, and freedom. They found they are stronger together and its together that they will build a better future for their children, without the petty rivalries of the past. Watching these women support and care for each other was beautiful to watch and I am so glad it got the recognition that it did. We don’t see enough of it but it’s a start.

3. Late (The Handmaid’s Tale) This was a fantastic episode of television that I never want to watch again. This episode was designed to be chilling and horrifying and it accomplishes that goal well. Alexis Bledel is the best she has ever been as Ofglen is forced to watch her girlfriend hang before forcibly undergoing female genital mutilation surgery. It was intentionally one of the most upsetting moments on TV this year and both Bledel and director Reed Morano deserve the praise they received for creating it. Regardless of anything else, that portion of the episode was always going to be hard to watch. But there was a world where the rest of the episode would still have been powerful but had a less visceral impact. The nature of this book and similar dystopias is that something in them will always feel relevant. They are a critique of one or more aspects of our current society and those often change pretty slowly. This book felt resonant when it came out in the 80s, it felt resonant when I read it in 2012, and it still feels resonant today. However, seeing the way the US turned into Gilead may have felt less timely if we didn’t have a Speaker of the House who belongs to a party who wants to overturn Roe v. Wade who says we need to get our birth rates up or a Vice President who won’t be alone in the room with a woman who isn’t his wife. Nothing changes instantaneously but more and more freedoms are stripped away until we realize we no longer live in the world we thought we did. Seeing that change and hearing all the things that the citizens of what was now Gilead let slide was a stark reminder of how easily we can be led down a dangerous path as long as a nice justification is given to us. I wouldn’t have minded this portion of the episode feeling a little more theoretical but that’s not the world we ended up in. It was also a stellar episode for Yvonne Strahovski, who gave us a nice look at life as one of the privileged women in Gilead. She has more perceived freedom and actual power over the Handmaids and she will use every bit of that when she isn’t given her way, but even when it isn’t her body, she’s still defined by her ability to bring children into the household. The change in her attitude when she learns that Offred isn’t pregnant is scary, but unsurprising. There is no solidarity between them, Offred exists only as a means to get what Serena Joy desperately wants. That kindness she displayed wasn’t genuine and was easily ripped away. We can feel her longing for a child and have sympathy for her while also being disgusted at her attitude and Strahovski finds that balance well in her acting. The acting, writing, and directing are all extraordinary in this episode which only served to make it more difficult to watch.

Continue reading Best of 2017: Episodes

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Best of 2016: Episodes

It’s been another outstanding year for television. With so many truly great and memorable episodes to choose from, I had to find some sort of logical way to whittle down this list to my top 10. This year it seems, I really loved episodes that wanted to be about something. I want my TV to take a hard look at topics that can be uncomfortable and shine a different light on them. I don’t want them to gloss over the uglier or more painful sides to humanity in service of a story. At the same time, I don’t want that ever be the whole focus. The best episodes are the ones that show a light ahead and connections being made between people even in the bleakest of times. The idea of connection and focus on relationships is so prevalent on this list, in both the top 10 and the honorable mentions. I love that this is the direction television seems to be going after the age of the solitary antihero and look forward to more fantastic episodes in 2017.

1. Marcia, Marcia, Marcia (American Crime Story: People v. OJ Simpson) This show tried to address a lot of things, many of which are found in this episode and all of which I find fascinating. But when I look at this episode in isolation and not part of the larger whole it is contained it, one thing stands out most in my mind. I remember Marcia Clark (as I should, given the episode title). I remember the sexism that surrounded her during this trial that manifested in ways large and small. While also prosecuting the biggest trial of her life, Clark was facing another battle. She was in the middle of custody and child support disputes. She wasn’t a good enough mother to her children because she wasn’t there enough. She wasn’t sufficiently attractive and well-dressed enough to win the public’s approval. And when she tried to change it, she didn’t do a good enough job there either. She dared to have her husband (at the time) take photographs of her naked on a beach, where they were presumably alone, and his decision to profit from their release became another flaw in her character. She failed to uphold traditional gender ideals and was punished for it. Yes, as a prosecutor, she and Chris Darden failed to convict OJ Simpson for a variety of reasons. But it would be foolish to act as though her gender didn’t hurt the way she was perceived in the years that follow. Sarah Paulson is simply incredible here in the way she portrays the toll things like this take on a person’s psyche. Her haircut made her feel confident. She was asked to care about it so she made a change and she felt beautiful. That confidence was quickly burst by the reactions of everyone in the courtroom, save for Darden. It was humiliating and hurt but she couldn’t show it because it would have made her weak. It would be yet another example of her failure to compose herself and be somehow unfit. So she blinked back those tears and pressed forward, knowing that the room and the world were now laughing at her. During all of this, she even had the pleasure of interacting with a store clerk who is so awful that I thought he was made up for the show. He wasn’t. Of almost everything she faces in this episode, all of which is gross and unfair, the period joke made by the cashier makes me the most mad. It is so intrusive and reiterates the idea that hormones and emotions make women unstable for a quarter of their lives from around the age of 13 until they hit menopause. The idea that you would make such a comment to a stranger as a joke is appalling to me, even more so because I know it’s not an isolated attitude. But even in the midst of all the awfulness, all is not dark. In the hardest times in our lives, sometimes we’re lucky enough to find someone who will hold us up when the burden in too much. In this episode, we see how much Darden was that person for Clark. He supports her, encourages her, and makes her laugh at a time she felt most alone. That connection is something special and beautiful and important and I love that it was highlighted here as well.

2. Twenty-Two (You’re the Worst) This episode is the best that You’re the Worst has and possibly will ever create. It’s episodes like this that make me love the show so fiercely, even when Gretchen and Jimmy are being nearly unbearably awful. In 25 minutes, Stephen Falk’s directing and Desmin Borges’s acting give us the most visceral example of PTSD that I can remember seeing on television. We not only see what Edgar is going through with the action onscreen, but we are put in his shoes with the ringing in his ears that never quite goes away and the lack of focus. We feel how broken down and exhausted he is by trying to survive day to day in a world where everything around him feels threatening and takes him back to his days in the military. Despite the heaviness of this episode, all hope isn’t lost. Just when Edgar is at his lowest point, he finds something that gives him a reason to hold on. It leads him back to his car, which is in the process of being towed, and he finally finds someone who is willing to listen to him and who can truly understand what he’s going through because he’s been there before. It’s a moment of pure connection that brought tears to my eyes. On a character level, I love that this moment made Edgar feel like he had the power to make changes for himself. It’s scary to know that you’re the one who is ultimately responsible for changing your life. But it’s scarier to believe that it’s entirely out of your hands. We can’t always fix the broken systems that surround us but we can do what we can to make a better life for ourselves despite their limitations. It was the message Edgar needed to hear. He was hoping that there would be a magical fix that could make him feel alive again because it’s exhausting to exist as he does. But letting go of that idea and committing to fixing yourself as best as possible is the only way to get the power back to truly start living. On a larger scale, I love the compassion that this episode has for veterans and the systems that may be well-intentioned but fail them anyway. It never loses sight of the twenty-two veterans who commit suicide daily and give this episode its name. It extends empathy for their struggles and shines a light on what they face after returning from war. It’s not always comfortable for civilians to think about and their struggles often get overlooked once they’re home. In an ideal world, it shouldn’t take episodes of television to make us care about real world issues like mental illness or police violence. But to deny the power of this medium to make abstract struggles personal and understandable to people without direct experiences with them would be a mistake and it is my hope that this episode made people think and feel and care just a little more than they did before.

3. The Threshold (Halt and Catch Fire) What a magnificent episode. As is not at all atypical for me, this one’s a tough one to watch and I love it. It hurts to see these characters implode. It hurts to see the relationships these characters have formed explode. I will admit to not being much of a Joe McMillan fan. I am aware that he has a story line in this episode but for me, it pales in comparison to what happens at Mutiny. No matter what combination you put them in, the actors were magnificent. We saw the entangled weave of personal and professional connections among the core four of Mutiny and how that became their undoing. We saw relationships solidify or come back together only to be destroyed in the end. In the hands of lesser actors or writing, it could have felt manipulative. For Halt and Catch Fire, it felt right. The characters all made the decisions that made the most sense for them and their development. Had it strictly been a business dispute or a personal fight, it would not have had nearly the same impact. No one exemplifies the lack of separation between business and personal than Cameron Howe. She was Mutiny. It was her. She had a vision of what the company could be and she poured her entire being into making that vision come to life. It didn’t always make business sense. She was terrible at delegating and there was no way to create what she wanted in the time frame she was given. So to reject that vision instead of a deal that seemed to make more business sense was to reject her and what she had given to the company. And when everyone voted against her, she felt that loss on a personal level. She lost a partner, a mentor, and a friend. All she had left was her husband, who she spontaneously married during a time of emotional distress. While the relationship wasn’t terrible, it lacked the foundation she had with Donna and Bos. Donna tried to keep things separate at first. She thought she could have Cameron’s friendship and also her own vision for the company, knowing it conflicted with Cameron’s. But when the disagreement about the business became heated, the attacks quickly became personal. The choices made in that room on that day broke what they once shared. When no compromise could be found, all that was left was destruction. It took out Cameron and Bos’s recently repaired relationship and what was becoming a sweet friendship between Cameron and Gordon with it, but at the end of the day, those severed bonds were only casualties of the rift between Cameron and Donna. It’s tense, painful and brilliantly constructed and acted.  

Continue reading Best of 2016: Episodes

Best of 2015: Episodes

Choosing the best episodes of the year is always tough because it can be tricky to compare against many different types of shows. Ultimately, as always, I opted to discuss the ones that touched me the most. Whether it was for a standout moment, a departure from the ordinary, the relationships showcased or saying goodbye to a show, these are the episodes I could watch again and again. They were executed well and made me feel and there isn’t a better qualification, in my opinion.

One Last Ride (Parks and Recreation) To close out seven seasons of the show, Parks and Recreation chose to spend their final episode by reflecting on these characters and how they have been changed by knowing Leslie Knope. For a character whose dreams always included the happiness of her friends, I can think of no better ending. The unique structure allowed us to peek into the future and know that these characters had bright lives ahead of them. We got to say goodbye to each of them individually before we got to celebrate one final moment of them working together to make a difference in a small, rather unappreciated way. We got one more chance to celebrate the friendship between this intense, occasional steamroller of a woman and her beautiful tropical fish (and cry many tears at their reunion). We got one more look at the unconditional support and belief that Ben Wyatt has in his wife and got to see Leslie accomplish everything she had ever wanted. We even had time for one last library joke. Nobody does anything alone. Leslie taught us that has she achieved all of her goals with the people of the Parks and Recreation department of Pawnee, Indiana by her side. It is a beautiful message and the only real way to say goodbye to this beautiful show.

Stingers (The Americans) A single scene and its fallout elevate this episode into one of the best of the year and the best thing The Americans did in an incredible season. This scene wasn’t loud or splashy, but instead was quiet and almost painfully tense. For the first time in her life, Paige’s parents decided to be honest about who they were. It was a question she had every right to ask because no one can pretend that their life is perfectly normal. It was also a question whose answer she was in no way prepared for. Her parents were similarly unprepared to tell her the truth though I’m glad they did. They understood what they were asking of Paige even if I think they overestimated what a teenage girl could reasonably be expected to bear. And so they told her with as much compassion and love as they could muster because despite their history and everything they have been asked to fake, they’ve never needed to fake their love for their children. This scene was so affecting because you could feel Philip and Elizabeth’s need for Paige to understand and accept what they were saying just as much as we felt how overwhelming all of this information was to Paige in this moment and for the rest of the episode. Matthew Rhys, Keri Russell, and Holly Taylor are all so talented and made this a scene and an episode I won’t forget.

Emotional Consequences of Broadcast Television (Community) There was no other way for Community to end. The final episode needed Jeff to come to terms with himself and be wonderfully meta about the role television plays in our lives. This episode was Dan Harmon’s thank you letter to his fans. It was an acknowledgement of the show’s ups and downs and a statement of his vision and everything he put into creating such a weird little show that never found mass success but inspired a dedicated following. It was his frustration of the way the show was received by fans and an admission that it’s hard to create a TV show that is everything each viewer needs and wants it to be. Saying goodbye is hard, whether it’s to a show you love or to your best friends as they go off and start new chapters in their lives. But things can’t stay the same, in television or in life. Change is needed. People need to move on and grow so they don’t end up in a permanent stasis that isn’t true to who they are. This episode was about welcoming that change and by making it as much about TV and the viewers as it did about the characters, Community gave us a fitting end so we would be ready for whatever the future held for the show.

The Devil’s Mark (Outlander) In this episode, Claire found out that that she wasn’t the only time-traveler in Scotland and Jaime found that that Claire was from the future. These two events changed Outlander and solidified the bond between Claire and Jaime. From now on, these two are full partners, with the knowledge that they have chosen each other and their life together. When a character is keeping a secret as big as Claire’s, we know as viewers that it can’t last forever. Eventually, someone one has to find out. Often times, it gets revealed for an easy source of drama, but Outlander chose to go a different route. Jaime may not understand how all of this was possible but he listens and he chooses to trust his wife and let her decide how she wanted to move forward. Their separation at the stones was painful because you could see the effect it was having on both. They got married out of necessity but the love between them is real. Catriona Balfe and Sam Heughan have incredible chemistry with each other and they sell the epic love story that is Jaime and Claire. Their reunion at the end and the tender kiss they share says what words couldn’t at the moment. Claire no longer wanted to go home. Or rather, she didn’t want to go back to her own time. She did choose to go home but that home was now wherever she and Jaime could be together.

Continue reading Best of 2015: Episodes

Galentine’s Day 2015

Happy Galentine’s Day everyone! It’s time to celebrate all of the amazing women in our lives and that includes the fictional ladies of TV. I had so much fun writing my Galentine’s Day post a couple years ago that I couldn’t resist bringing it back this year. This list is made up of just a few of the incredible female characters currently on the air right now and I know you all have plenty more that also deserve some love. So head over to the comments and lets talk about our favorite women!

Jane/Xo/Alba Villanueva (Jane the Virgin) This whole show is one that celebrates women. The showrunner is a woman, as are many of the directors and writers. If today is all about celebrating women and what they can do for each other, the cast and crew of Jane the Virgin deserve a shoutout. These three women, on their own or in any combination, are among my favorite on TV right now. I can admire Jane’s optimism and desire to work hard, Xo’s persistence in following her dreams and selflessness when it comes to Jane, and Alba’s unwavering dedication and support of her family. Jane may be the character I relate to the most, but she wouldn’t be who she is without the influence of her mom and abuela. These women support each other, no matter what, and it’s been beautiful to watch.

Bow Johnson (Black-ish) It’s never easy to be the fictional character in a relationship with another character who has a big personality. If not played or written right, this sort of character could easily fade into the background but I’m so glad that Bow hasn’t. Yes, she may end up reacting a lot to something Dre is doing (though that can often work to the show’s advantage, like her attempted prank on Dre with the kids) but occasionally she’ll get her own rant that will just crack me up and remind me of how much I adore her. She’s talented in her own right and is proud of her successes as a doctor. She’s not afraid to say, that yes, she is in fact pretty great if no one else is going to step up and recognize her and that’s a trait I really admire.

Amy Santiago/Rosa Diaz/Gina Linetti (Brooklyn Nine-Nine) I’ve spent the past few days trying to choose just one of these wonderful ladies for this list but I haven’t succeeded so I’m picking them all. Each has found their place in the world and they are very comfortable in it. Amy has found security in rules and organization. They help her make sense of things and she’s very relatable to me in that aspect. Rosa finds security in her tough exterior. It’s partly emotional protection for her and partly her innate tendency to tell it like it is and she can have trouble when others don’t do the same. Like so many of the other women who present a prickly exterior to the world, she does care and she’ll always have your back. She’s not going to pretend she likes you when she doesn’t but if she likes you, she’ll be a loyal friend for life. Gina just exists on her own plane of existence. Like Rosa, she’ll tell you exactly what she’s thinking (which is something about herself more often than not). She’s self-absorbed and a bit intense for a lot of people, but there is something so amazing about the fact that she’s as likeable as she is. What makes these three women great is that they exist simultaneously on the same show. It’s not a show with a token woman with the same basic strengths and weaknesses as the characters on other shows. All are different and all are celebrated for who they are. They are never pitted against each other and are allowed to simply be.

Linda Belcher (Bob’s Burgers) I know that Tina and Louise are internet favorites but Linda has always been my favorite of the Belcher women. She may get stuck on crazy ideas and take them too far (like every other member of the family) but when it comes down to it, she’s an enthusiastic and passionate woman who loves her husband and children. She’ll fight for them and be their champion when others doubt them because she accepts them just as they are.

Continue reading Galentine’s Day 2015