Tag Archives: good omens

Best of 2019: TV Series

I feel like I complained a lot about TV this year but despite some disappointments and hurt, it was probably overall one of my most enjoyable in quite a while. Whether it was because I was better at stopping shows that ceased to make me happy or because I discovered so many great new things, I can look back at this year and find so much to appreciate. Once again, half hour shows are where it’s at right now for creative and unique storytelling whether its in the format of the show or the types of stories being told. As evidenced by this list, it was a terrific year for female creators telling very specific stories and doing so incredibly well and a terrific year for compassionate storytelling. It wasn’t always nice and happy but so much came from a place of love and care for its characters and their world and that’s what I want most.

Thanks for hanging around for another year and don’t forget to check out the many wonderful lists over on MGCircles and a fantastic year-end essay at Nerdy Girl Notes!

1. Fleabag Season one of this show is good and creative and rightfully brought attention to Phoebe Waller-Bridge for what she created. Season two is extraordinary. It is emotionally resonant, creatively efficient storytelling and it deserves every one of the accolades it’s received. It’s simultaneously soothing and unsettling, which makes perfect sense for a show that is about connection. It’s a season of healing and acceptance, particularly self-acceptance, and the fucking terrifying nature of vulnerability and letting yourself be seen. It’s raw and visceral but not in a way that screams at you. It’s a seductive whisper instead of a roar. It asks you to open your heart and experience the exhilaration of falling in love with someone who is everything you need but that you ultimately can’t have. It’s not anger that ends the season and it’s not even really heartbreak, although that is a component, it’s learning to be present and to sit with your emotions instead of shoving them aside. There’s not a quippy joke meant to deflect and for the first time, Fleabag is going somewhere we can’t follow. She’s ready to be alone now, knowing that she is capable of connection and that she can love and survive even after the loss of that love because she’ll carry it with her. She doesn’t need to run from her own mind and pain to keep going. It’s powerful and deeply affecting in a way that is really only possible when something is as well-constructed as this season was. Everything about it is thoughtfully chosen and led to a whole that was somehow even stronger than the sum of its parts. 

2. Good Omens This show came at precisely the right time. After a spring season of television that was once again rough on my emotions in an unplesant way (seriously shows, stop doing this), Good Omens came along with a terrific adaptation of a book I already loved, with a terrific cast, a ship to fall head over heels for, and a celebration of humanity and our ability to choose a path other than the one seemingly laid out for us. The love Neil Gaiman put into this show to make it something his best friend and co-author Terry Pratchett would have been proud of is evident in every choice and especially in interviews. The humanism that is a hallmark of Pratchett’s work is all over the show. It sees who we are, for better or worse, and says that we can choose better. The Them standing up for the world they want to be grow up in against the Four Horsemen and Adam telling Satan that he’s not his real dad despite that being his whole purpose of creation are a demonstration that we don’t have to accept what we’re told is the way things should work. We can rebuild something of our own, something that makes space for all the things we’re told are impossible. We can make a world where an angel and a demon can dine at the Ritz because the side they’ve chosen is the one they can be on together, where a witch burns the prophecies that are her legacy in order to discover a life where she makes her own choices. It is a show full of hope and love that I will cherish forever. 

3.  One Day At A Time Look, this show has been at or near the top of my lists for the past two years and this year is not going to be an exception. I love this family, the ethos behind the show, and the cast and writers too much for it not to appear. It continues to be smart and full of laughter and warmth and love in its third season as we see Schneider relapse, Penelope become a Nurse Practitioner, Elena and Syd becoming more serious, and Alex trying drugs and promptly getting grounded. It handled things like street harassment, addiction, mental health, and sex with it’s typical consideration and compassion for these characters and lets them have their own perspectives and challenges. They feel like real people that you might know and want to spend time around and you can’t help but love them and root for their successes. It’s not easy to make characters that feel so well-formed and each choice they make feel like it comes from who they are and not whatever topic they want to address, plot point they need to squeeze in, or punchline they need to hit but they have consistently done a terrific job from both a writing and acting perspective. This show is incredibly special to me and PopTV swooping in and saving it was a highlight of my year.

4. Vida This is a show with a vision and a fierce pride and joy in the communities it represents. It also has a deep compassion for who these characters are and what they have been through. As a result, it feels unlike everything else on television right now. Everyone is allowed to be full of contradictions, no one can easily be defined as good or bad. It allows space for complicated issues and is content to sit with the lack of easy answers. Above all, it’s a show about family and learning how to connect and come together after time and distance apart. Emma and Lyn’s relationship with each other and their complicated memories of their mother and her legacy are the backbone of the show. The grace it gives them to navigate that space even when its ugly and come to terms with the loss of a woman who raised them and influenced the person they became, for better or worse, while recognizing that they didn’t truly know her is extraordinary. I can’t speak to the specific ways it portrays Latinx and specifically Mexican culture but every choice they make feels like it’s one made from love and care. It doesn’t feel made to explain things to others, I know I only pick up about 75% of what’s being said when the characters are speaking Spanish, and it’s stronger for it. I love everything Tanya Saracho has created in this show and cannot wait for whatever s3 brings. As long as it maintain its compassion, and I have no reason to believe it won’t, I’m in until the end. 

Continue reading Best of 2019: TV Series

Best of 2019: Moments

There were a lot of noteworthy bad decisions written for television in 2019, often with cringeworthy interviews that followed that doubled-down on the poor choices. But sometimes, writers got it exactly right. They gave us moments that reassured us, surprised us, spoke to important societal topics, and made us feel. They were the ones that understood their characters and the contexts in which they operate and created worlds we wanted to be a part of. They gave us something to aim for as we make the world around us a more compassionate and inclusive place. They valued relationships and emotional history. They were the moments that reminded me why I love television even when it’s frustrating me.

1. Jaime knights Brienne (Game of Thrones) This moment, even more than their sex scene, is the culmination of five seasons worth of character and relationship development. It is everything Brienne has secretly wanted for so long yet it felt outside of her grasp because of her gender. Until Jaime (thanks to a good idea from Tormund) decides to change it. There was no way for this scene to be any more meaningful. It needed to be Jaime that gives this to her. He has seen very clearly who she is for the past 5 seasons and been grateful for and humbled by her sense of honor and duty. It’s her firm belief in the vows of knighthood that reminded him of his own and called him to fight for Winterfell and humanity. It’s a moment that only Nikolaj and Gwen could have made together. Their love for these characters and their ability to have full conversations with nothing more than a look were absolutely essential. There is love and admiration and gratitude and the terrifying and healing nature of being so clearly seen. I love how thrilled everyone else in the room is for Brienne (especially Pod) but it’s evident how much they all faded away during the actual knighting. It was Jaime’s declaration of love and something that needed to be said on what they thought could well be their last night alive. For one moment, Brienne of Tarth got everything she wanted. She got the honor of being called a knight and a man who genuinely cared for her as the extraordinary woman that she is and she deserved nothing less.

2. Aziraphale and Crowley Through Time (Good Omens) TV shows spend time on what matters and too often, that’s used as an excuse to forego character moments in favor of plot. But that character and relationship building matters, it’s why viewers care about what happens. The episode three cold open told us what Good Omens valued. They spent half an episode (about 8% of the total show runtime) dedicated to Aziraphale and Crowley’s incredibly slow courtship. The bond and trust between them and shared appreciation (or at least lack of disdain) for humanity is vital to understanding why they make the choices they do in the following 3.5 episodes of the show. It is an utterly delightful half hour as we fast forward through history including the Flood and a production of a struggling Hamlet and watch these two settle into their roles as something approximating allies and friends. We see the moment that Aziraphale realizes that he’s a little in love with Crowley, not after he rescued Aziraphale from the Nazis but when he saved the books from the ensuing bombing, and the moment where it all gets to be too much with Michael Sheen’s devastating line reading of “You go too fast for me, Crowley”. These actors are fantastic together and by the end, we’re rooting for them to succeed in their mission to avert the apocalypse and settle down together. That is the whole point of that cold open and it’s perfect. 

3. Queer Gatekeeping (Vida) I wish that this scene was available somewhere as a clip but in lieu of that, each word is link to a different tumblr gifset and that will have to do. Before we get to the content and why it’s remarkable, I want to take a moment to point out how gorgeous the lighting in this scene is. Their designer did a terrific job fitting the mood of a wedding but also making everyone look incredible. I absolutely adore Emma’s righteous indignation at yet another group of people trying to police her identity and her expression of it and Nico’s use of sarcasm to rebut all the ridiculous gatekeeping present in this scene. It’s cathartic for anyone who has ever been worried that they’re somehow not queer enough because they don’t tick certain boxes or for anyone who has been explicitly excluded from a community in which they’d hoped to find acceptance based on appearances or snap judgements. It’s an incredible scene and I so appreciate the writers for very clearly pushing back against that sort of judgement and policing.

4. Jimmy’s non-vows (You’re the Worst) I cannot thank Stephen Falk enough for this moment. Nothing about Jimmy and Gretchen’s relationship has ever been conventional. In their words, it’s “ugly and uncomfortable and haunting and brilliant and thrilling”. But it’s theirs and its what’s right for them as people in this moment of time. Their happy ending isn’t necessarily a wedding and kids and promises to be together forever. Instead, Jimmy promises to love Gretchen and commit to being with her every day until they decide otherwise. It doesn’t require long-term commitment on either of their parts but does ask them choose each other over and over again. And that is perhaps one of the most romantic things I’ve seen a show do. Gretchen has never been convinced that she’ll be anyone’s choice nor has she believed she should be. As she mentions prior to this moment, she can’t promise Jimmy forever when she’s not convinced she can promise herself forever. But they can give each other one day at a time. They get an ending that feels right to them, not only to honor the characters and the journey they’ve been through over five seasons but also to honor the attachment the show has cultivated to them. Falk never ended to pull the rug out from under them and have them end up alone and miserable because it felt cruel to the audience and in a year where that seemed all too common because of “clever writing” or “realism”, I appreciated it more than ever.  

Continue reading Best of 2019: Moments

Best of 2019: Relationships

So much of my interest in television (or really any fictional media) is due to the relationships between characters. I want the friendships that steady people and make them better, the sweet love stories, the complicated love stories, and the families (biological or chosen) that form. I want characters and the dynamics between them to matter to the story, to help drive their choices. No one does anything alone and the relationships we form with others matter. That’s the TV I’ll come back to again and again and for all its disappointments on that front, something I managed to find a lot of in the shows I watched and loved.

1. Aziraphale and Crowley (Good Omens) After a spring where two ships I completely adored went in directions that were the exact opposite of what I would have liked (and in ways that didn’t really work with the writing that came before it), Aziraphale and Crowley were a breath of fresh air. The angel and demon who fell in love with humanity and with each other in the process. They managed to combine the best elements of a slow burn romance with a comfort and ease that normally only comes with married couples thanks to the 6000 years they spent knowing each other. I love that Crowley is incapable of giving Aziraphale anything he asks for, whether that is a miracle to make Hamlet a success, a clean jacket, or stopping time so the Antichrist they misplaced can save the day. For someone who shouldn’t be capable of it, he loves Aziraphale so purely and it’s beautiful. On the flip side, you have Aziraphale who is a being of love and he’s terrified of what loving Crowley means. He does, how could he not after everything, but he’s the one who isn’t ready even after all this time. So to watch him be able to take that final step at the end is everything I needed. They got a happy ending and to finally be on their own team and brought me an incredible amount of joy. And if you haven’t seen this fanvid, the scene choices and timing are flawless and make me emotional every time I watch. 

2. Fleabag and Hot Priest (Fleabag) To be seen for everything you are is a powerful thing. To find that person who sees through all your defenses and taps into that vulnerable part of you that’s real and that you’ve kept hidden because you don’t truly believe anyone could love that piece of you is terrifying. Especially for someone like Fleabag who perpetually feels alone and like there is something fundamentally wrong with her and the way she exists in the world. And along comes Hot Priest with his slight awkwardness and fear of foxes and desire to truly know her. Their chemistry is intense and all-consuming and too much to experience alone. We know it can’t last. But wow do we want it to. In less than 3 hours, we get to see and experience every stage of this relationship from meeting to its dissolution and it is one hell of a journey. It’s painful and hopeful and beautiful and tragic all rolled into one. It gave them both something they had been searching for and they’ll both go off changed because of what they shared. It affirmed something in them and they’re better because they loved each other in a way that won’t ever really pass. Not entirely. And that’s what hope looks like. The possibility of a new future, even when it’s not a shared one. 

3. David and Patrick (Schitt’s Creek) These two are a warm hug (or an oversized black sweater). They are solidly together and in love for the whole of this season and it is beautiful. You feel the ease and comfort and casual intimacy that comes from feeling free with another person and I can’t thank Dan enough for intentionally choosing to write them this way. Being in a committed relationship didn’t take away from either character or suddenly make David boring or a different person, it enriched both their lives and hasn’t changed who they are. Patrick is still going to love baseball and hiking more than David and think tax seminars are an important thing to attend and David will have none of it but they will love those things about the other. Patrick’s proposal is absolutely perfect and for him to be in a place where he can be sure and unafraid and David able to accept and trust in that love is beautiful. They’ve both come a long way to get to that point and it has been so incredibly satisfying to watch. 

4. Nadia and Guzman (Elite) These two hit all my narrative kinks. I am a sucker for guys that are kind of terrible but fall in love with strong-minded, incredible ladies who they think are the best thing in the entire world and who want to be better for them. Both of these two were in difficult emotional places this season as Guzman grieved for Mariana (then found out one of his best friend’s killed her) and Nadia felt the increased pressure to be the perfect daughter her dad thinks she is after her brother left home and a sex tape of her made its way around the internet. Neither reacted overly well and attempted to shut out any of their own feelings and everyone else along with them but they also managed a few moments of genuine connection where Nadia was able to admit to both of them how much she wanted this and Guzman continued to be his utterly besotted self and also finally break up with Lu. And those moments were magic. Their chemistry is off-the-charts ridiculous (and it’s really a wonder all of our screens didn’t combust during Nadia’s sex dream) but we also see how good they could be for and with each other if they could find a way to get through everything internal and external holding them back. There is real care and affection between them and I need them together for good by the end of s3. 

Continue reading Best of 2019: Relationships

June 2019 Recommendations

mv5boti5y2m3nmqtndg5zc00otq0lwezogytmjm4zjg0yzy0m2i0xkeyxkfqcgdeqxvynjkwnzewmzu40._v1_

Show Title: Good Omens

Episodes: 6

Where to Watch: Amazon Prime

Look, if you follow me on either Twitter or Tumblr, you’re well aware that this is my latest obsession. I read the book about 6 years ago and loved it so I was already the target audience for this show. But thanks to some brilliant casting choices and shifting the story just enough to primarily be a love story between Aziraphale and Crowley on their mission to avert the apocalypse, it beyond delivered. From the outset, it was conceived to be a tribute to Terry Pratchett and Neil Gaiman’s friendship with him and that care came through in everything they did. It’s a celebration humanity’s ability to choose paths other than the ones seemingly ordained to us and to make the world something we can be proud of. The Them standing up to the Four Horseman because they know they deserve better than a ruined world and Adam standing up to the devil to point out that biology doesn’t determine parentage are gorgeous moments in what was actually one of the weaker points of the show. Where it truly excels (and what has caused the bulk of the media attention) is in the developing relationship between Aziraphale and Crowley as they forge their own side out of a shared love of humanity and each other. The cold open of the 3rd episode is 28 minutes long and entirely devoted to their history with each other over 6000 years and it was brilliantly done and acted. They put in the time to develop their relationship so that you really feel the impact of their fight at the end of the same episode and it’s that dedication to character work in a 6 hour long show that I appreciate so much. While this isn’t fully a story about them, they’re the hook and in order for everything else to land (and to overlook things that may not have been as strong), we had to believe in their connection and they delivered. After a frustrating spring of uneven character work on other shows, this was exactly what I wanted.

51qcv0neq2bl

Book Title: The Luminous Dead

Author: Caitlin Starling

Genre: Sci-fi/Horror

It can’t be easy to write a book in a very confined setting with only two characters but this debut manages to do just that in a compelling way. Em and Gyre are full of secrets and past pain that both drives them and holds them back from truly living and to see them be confronted with those pasts and also begin to find healing in their initially reluctant friendship and growing feelings was incredible to read. Yes, it’s a story of exploration and the drive to push on despite obstacles and the gradually unfolding story surrounding these particular set of space caves is interesting, but it’s the revelations each girl has in the process that will pull you in the most. They had to put their life (in Gyre’s case) and their hopes (in Em’s) in each other’s hands and that’s no easy task. It required vulnerability and trust that neither of them knew how to give when they started this journey and at the end, there was no one else who could fully understand what they’ve been through. To have to anchor someone and fight for them when their senses could no longer be trusted. To accept the help when it seems so much more seductive to let go and lose yourself in the pain. The character work is the focus and while that may not be what someone is looking for in a horror book, it was absolutely the right choice for this particular story and I really enjoyed it.