Tag Archives: she-ra and the princesses of power

Best of 2019: Episodes

As much as I enjoy cliffhanger-driven television for encouraging me to keep watching a series, I will always prefer shows with slightly more discrete and distinct episodes. The ability to craft a good story that satisfies in 22-60 minutes that also ties into the season or series as a whole is a difficult one that not every show can manage, but when they do, it stays with with you. Some of these episodes, I liked simply because they did a good job doing exactly what they set out to do, others had something more profound to say that spoke to me on a deeper level, and I think both types are important to me as a viewer.

If you’re not already, be sure to check out the year-end reviews over at MGCircles and continue to celebrate the things that you enjoyed the most this year!

Episode One (Fleabag) Everything about this episode is brilliant and absolutely riveting. The jumps between scenes, the choral backing, the most satisfying punch in the history of television, the introduction of Hot Priest, and the complication and devotion that can only exist between sisters. It’s a fantastic reintroduction to the series after three years away and the whole episode is infused with a frantic energy that sucks you in and won’t let go. The family dinner after over a year apart where they are so desperately trying to appear normal in front of this outsider and utterly failing because they are absolutely not functional as a unit. The writing and acting are both terrific and Andrew Scott slid so seamlessly into this world and immediately feels like a natural fit for the off-kilter, fast-paced banter that helps define its style. It’s a masterclass in efficient, dynamic television and I cannot possibly say enough good things about it. 

The Knight of the Seven Kingdoms (Game of Thrones) In a season that was mostly filled with disappointment and horrible writing choices, this episode feels like a gift from Bryan Cogman. In this precursor to the battle against the White Walkers, the characters and the viewers were given a chance to breathe and to take stock of what was important. And this import was found in each other – the history they’d shared, the bonds that had formed, the trusts that had yet to be shaken. This show is plot-heavy, it always has been. But just this once, we got a look at a version of the show that wasn’t. Yes, there was some necessary battle prep like the shots of Gendry making weapons and the war council, but really, it was a change for discussions and decisions and declarations. It was only right that Cogman wrote this episode after gifting us with “Kissed by Fire” and “Oathbreaker” in previous seasons. This was the culmination of Jaime and Brienne’s arc that started so many seasons ago and I could not have wanted anything more. Regardless of their ending that I will be mad about forever, this is who they were to each other. The person they chose to fight and potentially die alongside. The one who had their unquestioned trust and loyalty. The one they loved. There are three separate points in this episode where that subtext nearly ticks over into actual text and for as much as I love these two, it was the better choice to leave it unspoken but still heard. Then we cap off the episode with Jon and his terrible timing but as a result, we headed into battle with all the cards on the table for the most important relationships on the show. 

Anxiety (One Day at a Time) This episode is so well-made and the care that went into its creation is so apparent in every choice. As always, Justina Machado is incredibly talented and I will never understand how every awards body isn’t showering her with accolades and she grounds her performance in something compassionate and real. I love that the bulk of the non-flashback portion of the episode takes place at group therapy. We absolutely need to normalize getting help like this and the benefits of having a supportive community around you and there was something special in seeing this group of women come together around an issue that affects them all in very different ways. There’s not one way for anxiety to present and not a single coping mechanism that will work for everyone and it feels like the writers of this episode wanted to be extra sure that the viewers knew that. It was an outstretched hand saying that we aren’t alone and there is possible relief. This episode also really demonstrates what’s so special about Penelope and Schneider’s relationship. We all need that person in our life that we can be honest with and trust that they will be there in response with whatever it is that we need. Just being able to tell someone “I’m having an anxiety attack” and putting a name to the feeling is an important step and allowing yourself to lean on someone else when shame would have us isolate and hide away is a powerful and healing part of the process and this episode demonstrated that perfectly. I’m so grateful for everything that went into making this episode what it is and hope that it started conversations and fostered a little more understanding in the world. 

Who’s Got the Pain (Fosse/Verdon) Coming together and falling apart. This episode is Bob Fosse and Gwen Verdon’s relationship in a nutshell. From their first meeting, you see why they connected both personally and professionally. It changed nearly everything for them, they found someone who instinctively understood them creatively and worked to make them shine even brighter. It invigorated them in every way. But it didn’t change who they were. Fosse wasn’t capable of a monogamous relationship with anything, he was always looking for something more or new or different. We see it as his marriage with Joan falls apart and we see in the fight in Majorca. He undoubtedly loved Verdon as much as he was able and it was never going to be enough. She needed more of him than he had to give and sometimes that made her walk away but sometimes she stayed anyway because some of him made more sense than none. This episode is brilliantly directed and edited, the camera angles in their pre-rehearsal fight are tense and suffocating, William’s line delivery of her stage directions for their fight on the beach are brutal and cutting, and the dance scenes are all filled with chemistry and a natural intimacy. Every element of it was perfectly executed and it’s the episode I’m most likely to keep coming back to as an example of who these two were and how the show captured them. 

Continue reading Best of 2019: Episodes

Best of 2019: Characters

This is always one of my favorite categories as I get to see the types of characters I was drawn to over the past year. There are usually trends that can be picked out (and that’s certainly still true this year) and it’s a good look back at the arcs that shows were able to pull off particularly well.

Who were your favorite characters this year?

1. Emily Foster (Chicago Fire) Chicago Fire has successfully added a lot of new characters in the past year and a half but none have reinvigorated the show quite as much as Emily. With her arrival, we’re seeing a shift toward celebrating the women on the show and the camaraderie that they’ve made in their very male-dominated profession. We’re seeing what three talented women who support each other and champion each other are capable of tackling together and it’s been wonderful. While that’s a choice the writing team has made, it’s one Emily would be proud to take partial credit for if she were real. She is all about ensuring the ladies in her life are taken care of in the manner that they deserve to be and she wouldn’t hesitate to stand up for them personally or professionally. It was Emily that told Kelly that he needed to step up and be better if he thought he wanted to try to fix his relationship with Stella (or leave her alone if he couldn’t or wouldn’t do that) without prioritizing his feelings or her tone and Emily that recognized Sylvie wasn’t happy and needed to come home and led the charge to bring her back. Her girls are everything to her and we could all use someone in our life who fights for us as much as she does. 

2. Stevie Budd (Schitt’s Creek) It was a really great year to love Stevie. She took changes on herself and let herself be vulnerable, first with Emir and then with Cabaret, and while her romantic relationship didn’t work out the way she might have liked, she was an amazing Sally Bowles and her performance of “Maybe This Time” was nothing short of remarkable. Even more than that, Stevie was so loved. She’s a part of the Rose family now and every single one of them got to had moments where they supported and believed in her in a way that she’s never really had before. Her friendship with David continues to be a highlight of the show and I love that it was her blessing Patrick wanted before the proposal. She may feel like she’s behind or that everyone is moving on in life while she’s standing still but she has come so far and I cannot wait to see what the final season has in store for her. 

 3. Charley Bordelon (Queen Sugar) I cannot believe it’s taken me this long to write about my undying love for Charley. She has been my favorite from the very beginning, even when she is making the worst choices and allowing the privilege she enjoyed from her marriage to Davis blind her from the harm she was doing. She is ruthless and willing to fight for everything she feels she deserves and has always been fascinating and complex. As the seasons have gone by, she’s become a part of the community of St. Jo and fought for its Black farmers with as much ferocity and certainty as she’s fought for herself in the past. This season, she ran for city council to push back at the Landry’s influence on the parish and won, despite accusations that she set her mill on fire and the revelation of past scandals and it was truly glorious to watch. She may not have won the long game yet but she’s undeniably a force to be reckoned with and I will continue to love watching her take people down.

4. Emma Hernandez (Vida) Emma coped with being kicked out of her house as a teenager for being queer by hardening herself so nothing could ever hurt her again. You don’t get second changes in her world and are frankly lucky if you get a first chance. People are there for a purpose and get dismissed when the purpose is completed or they fail to live up to her need for controlled perfection. And that goes doubly for herself. She’s the one with a plan who is going to go in and fix everything and to hell with anyone who gets in the way of that. But when that illusion shatters, when people and life don’t respond as they should, she breaks hard. But by the end of the season, we see her start to let her guard down. She lets Nico in, she apologizes to Baco for treating him terribly, and she gives Lyn some long overdue recognition. She still has things to fix and her own trauma and learned responses to contend with but she’s trying. I want to see what an Emma who is able to accept the vulnerability that comes with relationships and intimacy looks like and until then, will love her just as she is. She’s trying so hard all the time and I love her for it, even when she goes about things in exactly the wrong way. 

Continue reading Best of 2019: Characters