Tag Archives: the fosters

Best of 2016: Moments

This is my fourth list of the year and the first one I’ve really had a difficult time ranking. Even more so than favorite characters or relationships, this list feels like a reflection of who I am and what I love about television. The specific moments and events that resonate with people are so individual and don’t always have the same effect out of context. Some stand on their own, but others are only pieces (often culminations) of a character’s journey over seasons or entire series. No matter how many of these moments you are familiar with, I hope you enjoy reading my thoughts about them and share some of your own favorites in the comments below.

1. Lorelai’s best memory of Richard (Gilmore Girls: A Year in the Life) I’m not sure that Lauren Graham has ever been better than she was in this scene. Though time has passed since his death, Lorelai still hadn’t managed to fully process the realities of her father’s death. There was a loss in the general sense but the full force of her emotions had yet to hit her until she stood and looked at the wilderness. While Lorelai had a complicated relationship with her parents, she loved Richard. He was distant and not as involved as she might have needed, but he loved her and tried to show it as best he could. Teenage heartbreak is kind of the worst. Without any perspective, all you have is the fact that it hurts and is humiliating and makes you question everything. Richard knew where to find Lorelai and knew what would help ease the pain. He knew she wanted the pretzel and knew what kind of movie she would want to see. He knew she didn’t need a lecture, just some love and compassion. He knew she needed this to be a secret from Emily, who wouldn’t have understood either of their actions at the time. On that day, Richard gave Lorelai exactly what she needed. She needed to feel as though someone saw her and understood her just as she was. It wasn’t a feeling she got often in her childhood. Richard never intended to hurt his daughter or push her away. He loved her deeply even if he couldn’t always demonstrate it in a way Lorelai needed. But he left her with this memory, this secret between just the two of them. And by letting Emily in on the secret, by showing her that Lorelai was missing her father just as much as Emily was missing her husband, he helped repair the rift between them just enough to keep a relationship possible.

2. I’m gonna miss her (The Americans) For a scene with so few words, so much is said and expressed. For the first time in Elizabeth’s adult life, she had a friend. Though it started as an assignment and though Elizabeth could never be fully honest with her, she genuinely enjoyed Young Hee’s company. The laughter and friendship was real, even if it’s origins weren’t. I wish that there could have been another way, that Elizabeth could have kept this. The fact that she even tried speaks volumes about what this relationship meant to her. But there wasn’t, so after doing her duty for her country, she came home and let herself be vulnerable and comforted by her husband. She’s honest here, in a way she can only be with Philip. He’s the only one who gets to see this side of her, the fragile side. He can’t make it better but he can sit there with her so she doesn’t have to be any more alone than she already feels like she is.

3. It’ll always be yours (Game of Thrones) I stopped watching this show last season but this relationship is something that they are getting exactly right and that is all thanks to Gwendoline Christie and Nikolaj Coster-Waldau. They love these characters and their dynamic so much and it shines through in every scene they share. Every interaction is so layered and full of unspoken truths each are unable to give voice to. By allegiance, they are on opposing sides of this war. Jaime is loyal to his family and Brienne continues to honor her oath pledged to Catelyn and now Sansa Stark. That fact hangs heavy over their reunion. They recognize that there may come a day when they are asked to fight against each other and Jaime is doing is best not to think about that fact. Brienne tries to deal with it head on and essentially tells him that despite her love for him, her pledge comes first. It’s always the things that are unsaid that are most important with these two, especially when it comes to Oathkeeper. We know it symbolizes their relationship. It’s their unwavering faith in each other’s word and honor. They know it too and you see that in the scene where Brienne tries to return it. She’s terrified of what loving this man might mean and how she can reconcile that with her duties. She’s afraid to lose him but also afraid to have him. Jaime on the other hand, is more sure of his love, but not ready to face the consequences that love will bring. There is a tenderness in the way he says “it’ll always be yours” that leaves little doubt as to what he is actually talking about, a fact not missed by Brienne judging by her face. Every time Coster-Waldau and Christie share a scene together, I’m left in awe of their ability to convey so much in a look or change of tone. I may not care about much else on the show, but these two will always bring me back.

Continue reading Best of 2016: Moments

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Best of 2015: Moments

If you haven’t already, take a look at my choices for Best Shows I Didn’t See, Best Characters, and Best Relationships and share your own choices for these categories. For even more end of the year TV fun, check out Nerdy Girl Note’s best performances of 2015 and MGCircles Media’s best shows of the year

In a year of great television, there will always be moments that stand out to you and that resonate with you just a little more. It is these moments that you will carry with you as you continue to watch more television and it will be these moments that you remember from their respective series. These moments all made me feel deeply and it was truly a pleasure to experience them this year.

Connor and Jude hold pinkies (The Fosters)  I don’t watch very many shows with younger characters so I don’t often get to experience a character’s first love. The Fosters had been slowly moving toward a relationship between Connor and Jude and the process of watching them figure out their feelings toward each other has been incredible. I love this moment for two reasons. First, it perfectly captures the early stages of a crush that could maybe turn into something more. The hesitation, the fear, and the exhilaration were all there on both Connor and Jude’s faces and actions. It feels right and takes me back to those days in my own life. Second, while it has a lot of older fans, The Fosters is geared toward a younger audience. I love Stef and Lena’s relationship and think it’s one that is so important to see on TV but they are older and more sure of who they are. They have already gotten past the early stages in their relationship when they are trying to figure things out. Jude is just now getting to go through that and for younger gay or questioning teens, this is a moment they haven’t gotten to see on TV the way their straight peers have. It is the sort of moment I want to see more of on TV as we allow for stories to be told about a greater variety of people.

Elizabeth kills Betty (The Americans) What a moment of television. The work that Keri Russell and Lois Smith did for this entire episode was brilliant but it was in the moments just prior to Betty’s death that Elizabeth was forced to take a hard look at what she was doing with her life. Betty knew that there was no getting out of the situation. She was going to die that night and nothing she said would change that fact. But she left Elizabeth with a lingering thought. Would killing her, an old woman who happened to be in the building at the wrong time, make the world a better place? Elizabeth has rarely shied away from the difficult aspects of her work as a spy. The cause is a part of her and the things she does are in service to that cause. Even with all she has seen, this price was higher than usual. She gave Betty as gentle of a death as she could but having to do so rattled her more than an ordinary assignment. Betty brought out a moment of vulnerability in Elizabeth as she told the story of her life and her relationship with her husband and for a moment, Elizabeth allowed herself to feel (and us to see) the weight of her actions upon her. She may believe in the cause and she may be a very talented and committed spy, but it doesn’t mean she doesn’t feel the collateral damage her line of work brings.

Clarke leaves Camp Jaha (The 100) This scene hurts. From the haunted look in Clarke’s eyes to the pleading look in Bellamy’s, you can’t help but feel for these characters and everything they’ve been through. These two just made a choice that led to the death of hundreds of people, some of them innocent of the crimes committed against the Sky People. It was the last straw in a series of hard choices that left Clarke broken and questioning who she was. She needed to heal and find herself again but she is also punishing herself by depriving herself of the comfort that people like Bellamy, Monty, and Abby could provide her. She needs to walk away because she doesn’t believe she deserves the forgiveness Bellamy is offering her, the forgiveness she once offered him for his crimes. The callback to Clarke asking Bellamy to stay because she needed him and her own inability to do the same for him is heartbreaking. These two are separating at the time both of them need the comfort of the other and the reminder that they share this burden and can overcome it together. You see it in the way Clarke pulls Bellamy close and the way he holds on like he doesn’t want to let go. And you see it in the way she pulls away and the haunted yet determined look on his face as she does. In their final words, the “may we meet again” isn’t just what Sky People say to each other to say goodbye, it’s a promise that they will see each other again, this isn’t the end of their journey. One way or another, these two will find their way back to each other.

Lily rises (Penny Dreadful) Accent slip aside, Billie Piper is phenomenal in this scene. In life, Brona was a prostitute, an object for men to use and discard. In death, Lily is still an object, dressed up and posed for Victor and Caliban to fight over and possess. She is something they are owed because they find her beautiful and it is because of them she has been brought back from death. For all the lip service Victor gives to Lily being her own person, she could never be anything more than his toy. After remembering what her life had been like and comparing that to her life post-death, in this moment, Lily has had enough. She has had enough of being used. She’d fed up with the lack of agency afforded to her in life or death. She is done with the idea that women in Victorian England exist only for the enjoyment of the men around them. And so she rises, not as Brona the prostitute or Lily the reanimated corpse, but as a villain, furious and terrifying. No longer will she bow and cater to the whims of men. From now on, they will cower in front of her as she takes back all the power she’s never had in life and channels it into a roaring flame within. Piper gave this scene everything she had and it was powerful to see.

Continue reading Best of 2015: Moments

Best of 2015: Characters

Now that I’ve discussed the shows I didn’t get to see, it’s time to start talking about all the things I’ve loved about television this year. I watch TV for the emotional engagement more than any other element of a show and that’s what this list and the other four I will be releasing represent. They represent the characters, relationships, moments, episodes, and shows I have been drawn to the most over the course of this year. Each list has gone through several iterations until I landed on one that felt the most right and authentic to my engagement over the year and I would like to think that in years to come, I will be able to look back on this list and see who I was in 2015 and how that related to the media I connected with. That, even more than recommending new shows to people, is why I enjoy these lists. They are a record for me of what I loved and how I loved them, as I believe they are for everyone else who makes similar lists.

There were a lot of characters that caught my attention this year. Some for their personality, some for the struggles they went though, and some for what they represent and their importance to the larger pop culture landscape. These are the ten that resonated with me the most.

Mariana Foster (The Fosters) This year, Mariana coded a routine for her dance team’s competition and lost her virginity to her sister’s ex-boyfriend. She did amazing things and she made huge mistakes. While that level of complexity from a teenage girl (who isn’t even the main character on her show) shouldn’t be remarkable, it still is in today’s TV environment. She has wholeheartedly embraced the power of “and” by refusing to fit into a convenient mold. She loves both dance and STEM, looking pretty and being valued for her intelligence. She wants it all because she’s been taught she can be both and she will challenge anyone who thinks otherwise. And that is a remarkable thing in any character, let alone one who is only 15. But despite that, she’s not perfect. She’s not immune from society’s messaging. She slept with Wyatt because she was hurt and because she felt like everyone else was having sex so she should be able to as well. She messed up and did something she regretted and caused herself and people around her pain but it never made her less of character. There were consequences but she wasn’t demonized for her choice even though she knew it was the wrong one.

Ilana Wexler (Broad City) This was a fabulous year for messy, flawed women in comedy and Ilana Wexler is their queen. As Lindsay Jillian (You’re the Worst) would say, Ilana “wears her stains on the outside” except Ilana doesn’t even think of them as stains, just another aspect of herself that makes her fabulous. She’s self-absorbed and a terrible employee and is kind of awful to most people she interacts with but you still can’t help admiring her confidence in herself. Ilana has no front, she is exactly who she is at all times. She is entirely controlled by her impulses and makes messes that Abbi ends up cleaning up, but at the end of the day, Abbi doesn’t care because she knows Ilana would do anything for her. Ilana loves Abbi so entirely and it grounds her character. She’s always going to be someone most of us envy at least a little for her ability to do whatever she wants with seemingly few severe consequences but it’s in her love for Abbi that she becomes a full person and not just a chaotic, impulse-driven plot device.

Clarke Griffin (The 100) If anyone needs a hug on TV right now, it’s Clarke. She went through more in 7 episodes than many characters do in an entire season. She has been in so many situations where there is no clear answer and she’s done her best to make the right choice but the weight, pressure, and consequences of those choices have been their toll. Clarke is a good leader because of her love for her people. It’s what drives her to keep them safe and risk everything to get them back. But she knows that alone won’t save them. She needs to be smart and strategic as well. She needs to be pragmatic. She believes herself to be a good person (and I think she’s right about that) but when that belief, her love for her people and her strategy and pragmatism come into competition, how is anyone supposed to hold on to who they are? Especially in the face of a strong leader who is telling her that the love that partly defines her is weakness. The choices she has made have been strategic and worked toward her goal of rescuing her people. But they weren’t without a heavy cost. She was responsible for a lot of pain and death this year and now that the battles have been won, she must learn to face herself and the person she’s become.

Vanessa Ives (Penny Dreadful) Where season one Vanessa was haunted and more reserved, season two gave us a new side to Vanessa. She’s still haunted, as one could expect of someone being courted by the devil, but she’s no longer alone. She has gathered a group of people around her who care for her and wish to protect her, not out of obligation or to use her for their own ends, but because of who she is. Her rift with Malcolm repaired, her friendships with Ethan and Victor strengthened, and the loyalty of Sembene affirmed, Vanessa is free to experience moments of happiness and something akin to peace. And in those moments, we see the kind soul she possesses underneath the evil power she is capable of wielding. Vanessa can be both the person who saw and loved the poet in a monster and the person who essentially told the devil to go to hell in his own language. She longs for a normal life but knows that as long as she still suffers, it’s not a life she can allow herself to have. She longs for a lasting peace, one in which her thoughts, dreams, and prayers are safe. And as we see her goodness and the care she shows to those who are otherwise outsiders (not a pleasant place to be in Victorian England), we want her to find that peace. We want the struggle to be over so she can live the life in her dream. She couldn’t grasp that vision this season, but you can bet I’ll be tuned into the next one to see her continue to battle her demons.

Continue reading Best of 2015: Characters

TV Thoughts: 3/1-3/7

I’ve had to skip the past few of these in favor of catching up on all the TV I’m currently behind on (which is still a lot but getting better!) but there were a few shows this week that I couldn’t resist talking about. I may have watched very little, but it was an extremely rewarding week between these two shows and The Americans, which I will talk about in the comments of Katie’s wonderful episode review.

Monday

The Fosters: I was 3 episodes behind on this show but read some spoilers that made it a priority for me to catch up and I’m glad I did. This show makes me feel deeply every week and for that, it’s one of my favorite shows on TV right now. This week had three moments that particularly grabbed my heart. First was the scene where Rita comes to help Kiara leave her pimp. Rita cares for the girls in her care so much and that doesn’t end when they move out of the Girls United home. She wants to provide that safe space for them to grow up and achieve their dreams no matter how far away they seem. She cares for girls who others would pass over because of their history or attitude and that’s just a remarkable thing for me. Rosie O’Donnell is doing such a good job with this character and both scenes with Kiara were full of so much love and compassion.

Second was Callie’s final scene with Stef, where she confesses that she wanted to live with Robert because she lied to Stef and Lena and was afraid they wouldn’t want her any more. Of her two moms, Stef is the one who has the most in common with Callie. Both are so scared to let people all the way into their lives. They are naturally less open and because of that, the scenes where Stef reassures Callie of her unconditional love for her are always beautiful because Stef is one of the few people Callie would actually believe.

Continue reading TV Thoughts: 3/1-3/7

TV Thoughts: 2/8-2/14

What a week of TV! This is the kind of week that is so incredibly satisfying as a fan of good TV. There were so many great episodes this week and so many tiny character moments that filled me with pure joy (and sometimes the best kind of heartbreak). What did you love about the past week in television?

Sunday

  • Looking: I can’t say that I’m disappointed to see Kevin go. Seeing Richie and Patrick talking and hanging out again reminded me that I like them together so much better, even if it’s just as friends. Patrick needs someone to call him out when he’s being an idiot, like when he’s having an affair with his already-taken boss and getting too emotionally invested in a future that wasn’t going to happen with Kevin. I’m glad it made him realize that he needed to stand up for himself and ask for what he needed out of the relationship, then leave when Kevin wasn’t capable of giving it to him. In other breakup news, I’m also proud of Dom for leaving Lynn. I liked Lynn a lot last season but he’s an awful boyfriend. Like Kevin, he wasn’t capable of giving Dom what he needed because he is still emotionally in a relationship with Brian. It’s understandable but unfair and Dom deserves better. I’m so happy that he has Doris who is so supportive and has his back 100% of the time. We all need a friend who will look into ways to Kickstarter our restaurant and help us make our dreams come true for no other reason than it is important to us. Finally, to round out the group, I cannot tell you how happy I am with the changes and growth in Augustin between s1 and s2. Eddie has been such a good influence on him and I am excited to see how he adapts to working at the shelter.
  • Brooklyn Nine-Nine: This wasn’t a brilliant or groundbreaking episode of this show by any means, but it was so much fun to watch. I loved the more action-oriented scenes as the team took over the training and took down all the other agents. It’s easy to forget that this is a show about cops and this was a nice way to bring their jobs into focus a little more while retaining all of the great character moments I love about the show. Amy’s failure to start the Nine-Nine chant (and her subsequent excitement when it worked) was adorable and so Amy. Terry’s description of the team as “boss ass penguins” may be my favorite Terry line in a while, and Rosa opening up and explaining why she needed Saturday off was perfect. Back at the precinct, I loved Captain Holt’s apology most of all. While I’m not sure that I necessarily agree that they should have ended up with the same personality classification, it’s nice when a leader can recognize that part of leading is encouraging and accepting the strengths of those who work for you. It takes a lot to admit your failings to an employee and it made me respect Captain Holt as a character even more.

Monday

  • Jane the Virgin: I fall a little more in love with this show every week. I am all-in on Jane and Rafael’s relationship (even though he is acting awfully shady at the moment) and thought their mutual concern for the health of their unborn child was so well done. I’m glad that Rafael went with his gut and planned the graduation celebration for Jane even if it was cheesy because it led to the best moment of the episode. It’s just become a fact of this show that any scene featuring the three generations of Villanueva women will be outstanding. Xo’s speech to Jane was beautiful all on it’s own but the shot of the three women sitting on Jane’s bed as she asks for the secret to being a good mother is one that will happily stay with me. No matter what is happening with Jane and the men in her life (Rogelio included), her relationship with her mother and grandmother is always stable and always a source of comfort, love, and acceptance.
  • Castle: Oh how I love the 3XK arc. It never fails to be wonderfully chilling and it brings out such good things in Nathan Fillion’s performance. Both Castle and Ryan carry so much guilt over Jerry Tyson and the murders he committed that both feel responsibility for and you could feel that guilt this week. When they found Tyson, I was not alone in thinking that maybe there was a chance they found someone who really had surgically altered their face to look like a serial killer and I loved that doubt. It wasn’t until that brilliant final interrogation scene that I felt sure they had caught Tyson only to have things go so terribly wrong when the precinct realized it was all a part of Tyson and Nieman’s plan to kidnap Beckett. That interrogation is some of the best work Nathan Fillion has done on this show. He found the story and my jaw dropped when he pulled out the pictures of Tyson’s mom and compared them to the recent victims. I have been anxiously awaiting part two of the episode and I’m so glad that tomorrow is Monday.
  • The Fosters: So many things happened in this episode, it’s almost overwhelming. The most-talked about this week was the Jude and Connor scene at the movies. However this unfolds, I am in no way prepared. I feel so incredibly protective of Jude and his happiness and I just want everything to work out for him. Regardless of what direction his relationship with Connor goes from here, it’s obvious that these two deeply care about each other. They are young and figuring out who they are and unfortunately, only one of them has the space to do so. If Connor decides he might like to move forward with a future relationship with Jude, his dad isn’t going to be supportive and it’ll just make this time that much more confusing for him. I trust this show to handle it all well but I guarantee it will make my emotions a mess. Just the small scene of them touching (and eventually hooking) pinkies tells me that there are so many good and heartbreaking things to come for them. It was full of innocence and excitement and uncertainty and everything that a first crush should be.
  • In other brief thoughts of the week, I love most of what they are doing with Mariana’s character. I love that she is enjoying STEM Club as well as her dance team. She’s one of the more unapologetically feminine characters on the show and it’s nice to see her continue to maintain that identity while excelling at a traditionally male-dominated field. I’m less excited about her wanting to go on tour with the band and would rather see her work through some of her abandonment issues, but I sometimes forget that she’s still a teenager and sometimes they don’t make the best choices. Along similar lines, Jesus could also stand to work through his own issues regarding his mother and how that’s affected him and I will look forward to seeing that happen so he will stop making such stupid decisions. Finally, Robert and Callie. I want these two to have an actual relationship that doesn’t just have Callie calling him when he’s in trouble. I think they have a lot they could offer each other and I want to see that develop. In order for that to happen though, Robert needs to realize that he can be Callie’s dad without being her guardian. As a parent, you have to think of what’s best for your child and I just don’t see how taking Callie away from the family she’s chosen for herself and her brother is going to help her, especially not at 16 when she may not have that many years left at home.

Continue reading TV Thoughts: 2/8-2/14

TV Thoughts: 2/1-2/7

It must be sweeps because so many of my shows had big episodes this week. We learned the identity of Sin Rostro, Katrina took her first steps toward being evil, Mindy found out that she is pregnant, Donna got married, Fresh Off the Boat premiered and Nashville returned just as crazy as the last 10 minutes of the midseason finale suggested it would. I really enjoyed many of the episodes this week and I hope you all did too.

Monday

  • Jane the Virgin: This week was great for me and Jane the Virgin for two reasons. First, how great was that episode? I love the Sin Rostro reveal and once again, the post-production work on this show has been stellar with the drop of blood falling out of Sin Rostro’s name in the narration. It also featured Jaime Camil’s best work of the season. That death scene was perfect and it led to Jane calling him “Dad” for the first time, which completely warmed my heart. These two have come so incredibly far in a short amount of time and I have really enjoyed watching their relationship grow and continue to deepen. Finally, this episode also was the perfect example of why Jane means so much to me. Her conversation with Rafael about choosing to see the best in people was everything I want more of in television. I want more genuinely good people who want to see the good in others. I want to see people believe in others and support them even if others think they are foolish. I want more people who will sit down and listen to a woman who has caused nothing but problems for them and offer support. I am so grateful that that is the philosophy this show chooses to promote.
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  • This show also meant a lot to be this week because I was able to visit the set of the show, thanks to a very generous friend. We got a tour of the various sets, meet a few of the cast members, and watch a scene film from an upcoming episode. My lips are sealed about future occurrences on the show but what I do want to say about this incredible experience is that the people involved with this show on every level are so kind and enthusiastic about what this show sets out to do. They genuinely love it and the people they work with. It was an honor to meet the cast, who is in fact as lovely as they appear to be, and a true pleasure to have this opportunity. If you like watching good things happen to good characters on TV, then please tune in and support this show. Not only is it a great show on it’s own merits but I want these incredible people to get to work on this show for a long time to come.
  • Sleepy Hollow: I am all for an evil Katrina. It adds something to her character that has been lacking and even if it’s a disaster, at least it’s something for her to do. It’s also a way to reintroduce Henry to the group as a whole as an antagonist. Henry’s clearly there but Team Witness is crippled so long as Katrina continues to fight for him. Now if she’s fighting with him, not only would it make that mother-son relationship more interesting but it will also provide the catalyst needed for Katina and Ichabod to officially realize that their marriage isn’t going to work in the modern world. No matter what they were like it in the past, they haven’t been on the same page since they brought Katrina from Purgatory and they need to recognize that and put them and the audience out of their misery.
  • The Fosters: Now that Parenthood has ended, I appreciate The Fosters even more. I need my weekly dose of family drama full of characters I love. It’s the little moments with this family that make episodes worth it to me. It’s scenes like Stef enthusiastically embracing twerking once Lena demonstrated what it was. It’s scenes like the ending and everyone having fun as a family together in the lake. The plots of the episode are not the interesting parts to me (though I’m not sorry to see Haylee go), it’s these characters and the love they have for each other.

Continue reading TV Thoughts: 2/1-2/7

My Top 5 Currently Airing or Recently Ended Under-watched Shows

In a world with so many different shows to watch, both old and new, shows inevitably get lost in the shuffle and never get talked about (whether it’s with your friends or critics) as much as you wish they would. So for day 2 of the Month of Love, I thought I would give some love to 5 shows that I adore that I wish more people were watching. Many of these get a lot of positive attention from critics, but aren’t necessarily being watched by a large audience. Most are niche shows that may never have a huge appeal but I have connected with them all and hope that through sharing them, one of them can connect with someone new.

Rectify  This show is beautifully melancholic with just enough hope and goodness to keep it from being overwhelmingly sad. In every moment, you feel the weight of Daniel’s previous sentence and the crime he may or may not have committed and the way it affects his life and the lives of those around him. But in so many of those moments, there’s also a sense of wonder, goodness, and the hope of redemption. It can be exhausting to watch because it makes you feel deeply but it’s also incredibly emotionally rewarding. The writing and direction of the show is only enhanced by the talent of the cast. Aden Young, Abigail Spencer, and Adelaide Clemmons in particular have all delivered truly stunning performances in this slow and contemplative drama.

Looking   This is a little gem of an HBO comedy. It feels very grounded and natural so even if it doesn’t necessarily make me laugh, I can still enjoy it. Jonathan Groff is charming as always but the real highlights of the show for me are Raúl Castillo as Richie and Murray Bartlett as Dom. Raúl Castillo and Jonathan Groff have a very easy chemistry with each other which makes episodes like “Looking for the Future” really shine because of it’s intense focus on their characters getting to know one another. Having watched “Queer as Folk” and “Noah’s Arc” in the past 5 years, one of the things that feels most remarkable to me is the fact that none of these characters are made to fit into a stereotypical box. They are all complex and can stand on their own.

Continue reading My Top 5 Currently Airing or Recently Ended Under-watched Shows

Best of 2013: New Shows

This has been a great year for TV. I love that there were so many great new shows that they warranted their own list even if I didn’t get to as many as I wanted. I love the shift away from the antihero that happened this year and what it means for this new era of TV and I love the complexity and diversity of characters that we got to see this year. So in no particular order, here were my picks for the best new shows of the year.

Masters of Sex I have not shut up about this show since September but I will happily talk about it some more. I love this show. I love learning about the research of Masters and Johnson, the acting is fantastic, and I have completely fallen in love with the women on the show. It is a show that manages to combine my academic love for sex research with my love for great characters so it’s pretty much perfect for me.

Orphan Black It’s impossible to talk about this show without highlighting the incredible work that Tatiana Maslany is doing on it. It is really a testament to her that I’m able to forget that she’s playing several different characters. However, it also says a lot about the show that her talent isn’t the only thing that makes the show great. All of the clones are genuinely interesting characters, Felix is just the greatest in general, and I was completely drawn into the story.

Orange is the New Black If you like shows that feature complex female characters, stop what you are doing and watch Orange is the New Black if you haven’t already. I loved the use of flashbacks to show how some of the characters got to where they are today and I cannot wait to see more of them in season 2. These characters aren’t just criminals – they are allowed to be people with hopes and fears and insecurities and strengths. We understand them and fall in love with them as Piper’s perspective widens and she starts to care for them as well. On a lesser show, Suzanne would have remained Crazy Eyes and Tiffany Doggett would have remained Pennsatucky the religious nut. It is this show’s commitment to its characters and telling the stories of women that are rarely shown on television that make this show such a success.

Brooklyn Nine-Nine Parks and Rec is my favorite show so it wasn’t a huge surprise that I would enjoy another show by the same people. Just like Parks and Rec, it is funny and warm at the same time. Captain Holt cracks me up with his complete lack of expression at anything and Andre Braugher plays him perfectly. It feels like it’s been around for longer than half a season because the characters all feel fully formed and that’s something to be impressed by.

Trophy Wife This show was an unexpected treat. The name is a bit off-putting at at first glance, the characters seem like they could be one-dimensional but that hasn’t been the case at all as the season develops. They are an unconventional family but that is exactly what they are – all 4 adults and 3 children. It’s warm, funny, and gave me one of my new favorite Christmas episodes of TV.

Continue reading Best of 2013: New Shows

Best of 2013: Compelling Relationships

There is nothing I love to watch more on TV than the relationships that form between characters. I don’t care whether that relationship is romantic, platonic, or familial – I love them all. Our relationships make us who we are and show us things about characters that can’t be seem on their own. This was a hard group to narrow down. I watch a lot of TV and all of my shows feature strong relationships between characters. I’ve highlighted 10 of them and included several more on the honorable mentions section below.

Jaime/Brienne (Game of Thrones) David Sims said it best in this review on The A.V. Club. Jaime and Brienne are basically soulmates at this point. Throughout the course of the season, their relationship went from contempt to respect. The bath scene was a big turning point for them. Jaime is genuinely apologetic for insulting Brienne and says that he trusts her and demonstrates that trust by telling her the story of how he became the Kingslayer. Brienne holds the values of a knight so highly and so to her, Jaime breaking those vows was the worst thing he could have done. In that moment, Brienne saw that it wasn’t a matter of “good” or “evil” but of trying to make the best choice possible even when there isn’t a right answer. In that moment, Brienne saw the man Jaime used to be. In “Bear and the Maiden Fair”, she shows that she trusts him by turning over her duty of returning the Stark girls to him then calling him “Ser Jaime” – a title he never thought he’d get back. In those two moments, their bond was cemented. It is a bond built on mutual respect and trust and viewers know how rare that is in Westeros.

Will/Alicia (The Good Wife) This year and especially this season of The Good Wife was a perfect demonstration of the brilliant chemistry between Josh Charles and Julianna Margulies. Their sex scenes have always been hot and while the passion they ignite in the other is no longer romantic, it is equally as compelling. This has never been more evident than in the 100th episode of the show. Will’s fantasy interrogation was some of their finest acting and the tension between them was palpable and electrifying. I always want more scenes with them together and I can’t wait to see what the new year and the new firm brings.

Abbie/Ichabod (Sleepy Hollow) These two. They are partners and there is nothing that I like seeing more on TV than that. They have each others backs and refuse to leave. Ichabod traveled into dangerous dreams with Abbie and Abbie stayed by his side as he entered Purgatory. They make each other laugh and smile. They are each other’s family. It’s remarkable that this relationship has come so far in just 10 episodes and it’s a testament to the great work that Nicole Beharie and Tom Mison are doing. Whatever the future holds for these two, they are a team and nothing can change that.

Joan/Sherlock (Elementary) I love what Elementary has done with these two. It is one of the strongest platonic partnerships on TV right now. They have changed each others lives for the better and they both recognize that. With Sherlock’s help, Joan has become a great detective and she’s happy and fulfilled by the work she is doing. With Joan’s help, Sherlock is becoming a better person. He’s formed attachments that have made him feel happy and more fulfilled. They have different yet complementary strengths and that’s why they work so well together.

Severide/Shay (Chicago Fire) This is such a cute friendship. They clearly adore each other and would do anything for the other. When something is wrong with one of them, it’s the other that is asked how to fix it. They would have made a beautiful, unconventional family together because of their love for each other. Shay has been a little segmented from the group because of her personal problems in the first half of season 2, but I’m hoping that changes and we get to see more of her and Sev being the team they should be in the seond half.

Continue reading Best of 2013: Compelling Relationships