Best of 2017: Episodes that Didn’t Air This Year

Good television doesn’t stop being good after some time has past. While we are in the midst of Peak TV and there is more new scripted shows on television than anyone can keep up with, there is also a lot that aired in the past that I missed out on the first time. I always try to have at least a couple older shows that I’m slowly working through and this year, they were among some of the best things that I watched. This collection of posts is all about celebrating the things that brought me the most joy this year and these 10 episodes definitely qualified.

Libertus (Spartacus) The last 15 minutes of this episode are such a glorious spectacle that only Spartacus could pull off. Not that the rest of the episode isn’t fantastic but the arena battle has stayed on my mind for the past 9 months. Starting with the most human of the battles, the fight between Oenomaus and Gannicus had so much emotional history behind it. They were best friends, they were brothers in arms, and both slaves to the House of Batiatus. They were also in love with the same woman and Oenomaus’s wife died in Gannicus’s arms. There was pain and anger and betrayal that infused each blow and it was captivating to watch these men fight each other and Gannicus being unable to take that final killing blow. Oenomaus always represented the best parts of Gannicus, the parts that he lost when Melitta died, and it was only right that he gave up freedom to save his brother. Then there was the larger plan on Spartacus’s mind. He wasn’t just going to free his men, he was showing up to the arena that day to burn it all down. Just as far as plotting go, it’s a brilliant move that opens up a whole new future for the second half of the season. It was a blow to the heart of Rome at the hands of the slave rebellion. It also solidifies Glaber’s status as a legitimate villain and not just a bothersome antagonist. Killing his father-in-law and the chilling way he reminds his wife that there is no longer a way out of the marriage she came so close to leaving is really the first time we see him as the monster he is. It’s his personal uprising and he will use his newfound freedom to crush all those who sought to belittle and undermine him. But what made it truly remarkable to me is the deeper level on which this show works. Yes, there is a lot of over-the-top violence and nudity and delightfully campy dialogue in Spartacus, but at its heart, it is a story about oppression and freedom. And in this episode, the oppressed rose up and burned down the institution that was used to justify their enslavement. They sent the message that they would no longer be used for the gain of others. Their bodies would no longer further the wealth of others. It’s a powerful message, not just within the show but also for the viewers. In the spirit of resistance that has characterized much of 2017, I can’t imagine a more mood-appropriate episode to have seen for the first time.

The Queen’s Gambit Job (Leverage) Narrowing this down to one episode of Leverage was nearly impossible because there are so many that I love. There are three things about this episode that make it one of my favorites (four if you count Sophie’s especially fabulous outfits). First, Sterling is such a compelling antagonist and his relationship with Nate is fascinating. These two have an underlying respect for each other even if it is coupled with a lack of trust. There is no one else Sterling would have gone to in order to get his daughter back and no one who would have understood why he needed a con to do so better than Nate. Second, there are few things I love more than Eliot Spencer being a disaster when it comes to his feelings and never has that been more apparent than in this episode. Only he would unthinkingly hug Hardison and then immediately be annoyed that he did and try to pretend that Hardison initiated the hug. The lingering effects of the drugs lowered his inhibitions and walls and his instinctual response was to be as affectionate as Hardison would probably prefer. But he won’t let himself have that because he doesn’t think he deserves it and attachments are dangerous and whatever else he needs to tell himself to maintain that grumpy facade. Finally, Hardison is one of the best fictional boyfriends in the history of television and this episode is the reason why. He lets the hug thing slide and recognizes that Eliot would probably feel better if he beat some people up and finds some for him while they rescue Sophie, which is delightful on its own. But where he really comes through is with Parker. When we’re at our least confident, we revert back to old and familiar tendencies. So when faced with a heist that made her doubt her ability to get the job done, Parker lashed out and yelled at Hardison about things weighing her down (physically and metaphorically) and killing her. And he responds with understanding and kindness. That was true for much of Parker’s life and he’s never expected her to resolve her past issues immediately. He knows that trust doesn’t come easy for her. So he reassures her that she’s not alone any more, that’s he’s got her back and will be looking out for her. He calms her and refocuses her, not just in training but in the middle of the heist when she starts to doubt again. He plans ahead and makes sure he’s not leaving her without an escape route so he gives her a parachute and the opportunity to jump from one of the tallest buildings in a row. It’s the best gift he could have gotten her and one that comes out of the deepest understanding of who she is. They aren’t just words to him, he’s gonna back it up with his actions and do whatever it takes to help Parker feel safe and comfortable. I need more men like Hardison and more relationships like this one on TV because they are perfect.

Punchline (Take My Wife) I was really mad when I watched this for the first time because I didn’t watch it in time to include on my end of the year list for last year. This episode wasn’t the primary motivation for starting this new list but it was certainly on my mind as I did so. I love everything Cameron Esposito and Rhea Butcher wanted to do with this show and this episode in particular. In 22 minutes, they talked about the Bury Your Gays trend, the proliferation of rape jokes in comedy, and misgendering issues in bathrooms all while being funny and in love and Cameron meeting her fictional celebrity crush. In the midst of all of the greatness, there are two moments that stand out for me. The first is Cameron telling Rhea that she loves hosting their show with her and that she loves her. These two are wonderful together. They have so much love and admiration for each other and that naturally bleeds into the fictional versions of themselves and their relationship. It’s authentic and sincere and still not something we see very much of on television. The second is the Me Too moment that comes near the end of the show. I watched this episode a few months before the Harvey Weinstein article came out and raised the cultural awareness of the prevalence of sexual assault and harassment. It wasn’t something that was being widely talked about at the time and was (and would continue to be if someone wanted to pick up the show and put the first season back online) a powerful and important moment to see on screen. As a whole, this is an episode I couldn’t get out of my head and a show I loved with all my heart. It was special and its voice will be missed.

Continue reading Best of 2017: Episodes that Didn’t Air This Year

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Best of 2017: Relationships

As much as I love individual characters, it’s the relationships those characters form that are the most interesting to me. Whether they are familial, platonic, romantic, or antagonistic, I need interesting characters interacting in interesting ways to truly be invested in a show. This year, I was all about the found families and groups of people taking on the world together. In a year where it seemed more important than ever to find your people to stand with you against whatever life and world may throw at you, it seems like no surprise that it was a dynamic I craved in my fiction.

1. Sensates + Allies (sense8) Yes, this is basically everyone on the show. I could have just picked the sensates on their own but excluding Amanita, Hernando, and Dani would have been disappointing, let alone everyone else like Bug and Detective Mun who I also adored. In any combination, this show does relationships well whether they are romantic, platonic, or somewhere in the middle. They would never have known each other without this bond between them, but now that they do, they couldn’t get away even if they wanted to. They are each other’s family and have each other’s backs no matter what. The core of the show will always be the connections these characters have with each other and it is better whenever it embraces that. It’s Amanita cancelling date night the second she hears Sun needs help, Wolfgang popping up to help Lito fight Joaquin, everyone showing up to support Capheus during his campaign speech, and everyone immediately dropping everything to save Wolfgang. Their love for each other is unbreakable and they are all better for it, as are we for having the chance to see them.

2. Emma and Maggie (Playing House) Look at what can happen when you let real life best friends write and star in a show where they get to play best friends. You get this beautiful friendship with all of its supportiveness and weirdness. These two are the kind of lifelong friends who can and have dropped everything in an instant when they other has needed them. The show started with Emma moving home for Maggie and ended with Maggie supporting Emma through breast cancer and recovery. They are sisters in all but blood and you can feel the love and history between them. It feels honest and real and there really is little else like it.

3. Ruth and Debbie (GLOW) To contrast the sweetness of Emma and Maggie, we have the infinitely more complicated friendship between Ruth and Debbie. Once again, there is a lot of history there. They were each other’s best friends but then Debbie got an acting job and husband and baby and Ruth had nothing. She got jealous and insecure and slept with Debbie’s husband. Naturally, Debbie found out and their resulting fight got them both a job where they would be forced to work together and be a team. Zoya and Liberty Belle are easy antagonists and it just makes it all the more apparent how much messier this actual relationship is. Despite the hurt, Debbie misses Ruth. It would be easier if she could just hate her and walk away but life doesn’t always work like that. Ruth is still the person who understands her the most and still the one she wants to talk to, which just makes her angrier that she can’t anymore. While they find a way to work together in the ring, repairing their personal relationship will take time and it’s the arc of the show I am most excited to return to next season.

Continue reading Best of 2017: Relationships

Best of 2017: Characters

This was an abnormally difficult category for me this year. While I watched about the same amount of television as I did last year and my overall enjoyment of them was higher (thanks to dropping some shows I wasn’t connecting with), there were fewer characters who really grabbed my heart. Part of this was almost certainly due to the fact that I watched Leverage for the first time this year and my love for those characters took up a lot of emotional space. I also seemed to be more drawn to found families even more than usual this year and connecting more with larger group dynamics than specific characters. But I truly don’t know how to watch TV without getting attached to characters and the emotional journeys they go through, so even in this harder year, there were still plenty of characters who inspired me and who I loved enough to want to recognize.

1. Sana Bakkoush (Skam) It’s been well-established by this point in time that I love characters who learn to let down their walls and find love and acceptance waiting for them on the other side. It is a story that will resonate with me every single time and this year, I got a particularly great one in Sana. She had already been my favorite going into the final season because of her loyalty, her fierce protectiveness of her friends, and her lack of interest in putting up with sexist or racist idiots. She seemed so confident in who she was and what she believed. This season, with her as the main character, we got to see how much of a front that confidence was and it only made me love her more. What we found underneath was a teenage girl who was torn between two worlds and two culture who couldn’t shake the idea that she was always coming up short and disappointing someone. She never felt like she could be enough of what people expected or needed her to be and so she stopped letting people see enough of her to truly know her. She gave so much and loved her friends fiercely but never gave them the chance to love her just as much. She was too ready to believe they would let her down and not accept the Muslim or Moroccan of her. It was hard to watch her continue to isolate herself as they seemed to validate every one of the fears she’d been holding on to, but a little communication goes a long way, and they showed her how important she was to their friend group. She came to realize that she was wrong and that her defenses were only holding her back and she decided to drop them. She showed them exactly who she was and revealed her vulnerabilities to them and they responded by loving her all the more. It’s often the characters we want to protect the most who reveal the most about ourselves and our own insecurities and who teach us the most and that was definitely true of Sana this year.

2. Nova Bordelon (Queen Sugar) I will never get enough of characters with soft, kind hearts who are also full of anger and drive to change their world and that perfectly describes Nova. She is so full of compassion and love for her family and friends and community and that shows in everything she does. It is the reason she gets up and fights every day and the reason she is the one they go to when they are looking for understanding and empathy. She is quick to celebrate the achievements of others and comfort them in times of sadness. She is a passionate activist who sees the wrongs that have been done to her city and her people and uses her voice as a journalist to speak out against those wrongs. She knows who she is and she knows why she fights and through it all, despite the things she has experienced, she has never let it make life hard or cruel. She doesn’t try to shut off her emotions when it all gets to be too much, she lets them push her forward and work harder. She can be stubborn and hard-headed which can be a problem when others disagree with her but it also makes her relatable to me. She is everything I want to be and a character I needed a lot this year.

3. Jacqueline Carlyle (The Bold Type) We’re all familiar with the horrible female boss stereotype. They’re successful but they are also cold and impossibly demanding, with little regard for anything resembling a work-life balance. They create an unpleasant environment for their (typically female) employees. The Bold Type chose to do something different. While Jacqueline is every bit as successful as the Miranda Priestlys of the fictional world, she doesn’t run Scarlet through fear. She’s a true mentor to Kat, Jane, and Sutton, pushing them and encouraging them to be the best they can be, both personally and professionally. She shows them how to find and own their voices. She has a supportive and loving husband, which is truly rare, and she’s unafraid to be vulnerable with her employees as the situation calls for. There is really no one else like her on television and I am so grateful that she exists.

Continue reading Best of 2017: Characters

Best of 2017: Actors

 

 

It’s the most wonderful time of the year! It’s a time to celebrate the best the year had to offer and while much of the world seemed to bring about more anger and sadness, there were a lot of fictional things to love, both new and old. Over the rest of the month, I’ll be posting my lists of favorite things from this year. My normal categories of actors, characters, relationships, moments, episodes, and shows will be returning and I’ve added three new categories that I’m excited to share with you all. As always, this is a list that reflects more about who I am and what I enjoy in fiction than any attempt at an objective best. I find that I find a lot of thematic connections between the things that resonated with me in any given year and I hope that is true for many of you as well. It’s proved an excellent way to take a snapshot of the person I was when the list was written and I love being able to share myself with you all through these lists.

First up, it’s time to celebrate all of the wonderful performances we saw on television. Once again, it proved to be a stellar year for actresses with a wide variety of strong roles available to take on. In both comedies and dramas, it was often the women who stood out the most to me. The continued expansion of the types of roles we see women play excites me and I want to see it continue.

1. Nicole Kidman (Big Little Lies) Hands down, this was the performance of the year. I was absolutely riveted every second Celeste was on screen. Kidman pulls off the combination of strength, fear, vulnerability, denial, and anger so well. We see the very careful facade she’s built for herself, especially during her therapy sessions with Dr. Reisman and we see the way her pain and fear shine through the cracks in the facade. We see her desire to free herself from the situation and her very real fear when Perry tells her he knows about her safe house. Above all, we feel everything because this performance is so transportative. It’s a deeply emotional role that I felt to my core and I can’t imagine anyone filling it as well as Kidman did.

2. Elisabeth Moss (The Handmaid’s Tale) While this was a hard show and a hard role to watch at times, I can’t imagine a better casting choice. Moss is an incredibly expressive actress and the directing took full advantage of that fact in her many close-ups. In such a restrictive environment, small changes in facial expressions are all we have to know and understand Offred’s headspace in Gilead and how it changes as the season progresses. I’m not a big fan of enigmatic characters who can too often feel underdeveloped and I appreciated the fact that it was never the goal of the show to keep us guessing about June’s true feelings. We feel her anger, resentment, manipulation, and budding rebellion and would have even without the voiceovers. It takes a strong actress to convey so much with relatively little and Moss sold the performance, both on the show itself and as Offred to The Commander, every step of the way.

3. Matthew Rhys (The Americans) I’m not sure that there is anyone else on TV who can slowly fall apart quite as well as this man can. It’s happened over the course of the previous four seasons and it finally caught up to him. Philip was a man who was done with everything. He was done with the manipulation and sneaking around and the lies and it showed not just in Rhys’s expressions but his body language as well. Except for the wedding scene. It helps that he is acting alongside his actual wife, but it is the most at peace we saw Philip all season. This is why he keeps going in the morning, why he could never just walk away. There is a tenderness and love that is palpable between Rhys and Keri Russell that has always centered and informed Philip’s actions. We understand him through his love for his wife and his family and that is the part of the role that he has always played so exquisitely.

Continue reading Best of 2017: Actors

Emmy Predictions 2017

It’s Emmy night! It’s a time for celebrating when beloved favorites win and yelling at the television in irritation when they don’t. While I never manage to quite get over my disappointment that some of my own favorites were snubbed, it doesn’t stop me from becoming invested in those who were. Below are my hopes and predictions for tonight’s awards and for more prediction fun, check out Katie’s thoughts over on Nerdy Girl Notes.

Outstanding Drama Series

Better Call Saul (AMC)
The Crown (Netflix)
The Handmaid’s Tale (Hulu)
House of Cards (Netflix)
Stranger Things (Netflix)
This Is Us (NBC)
Westworld (HBO)

My Pick: The Handmaid’s Tale. This is easily my favorite in the category for it’s gorgeous production and the way it produced such a visceral reaction in me. It’s as haunting as it should have been and the acting is uniformly strong and draws you into the lives of these characters.
Prediction: This Is Us. I suspect this will go one of three ways. The Handmaid’s Tale has a very good chance for being both buzzy and politically resonant, This Is Us is the kind of big broadcast breakout hit that has seemed to connect with a wide range of people, and The Crown is beautifully produced and the sort of upper-class British spotlight that won Downton Abbey so much Emmy love. I think its broad appeal will give This Is Us the edge tonight.

Outstanding Lead Actor In A Drama Series

Sterling K. Brown as Randall Pearson (This is Us)
Anthony Hopkins as Dr. Robert Ford (Westworld)
Bob Odenkirk as Jimmy McGill (Better Call Saul)
Matthew Rhys as Philip Jennings (The Americans)
Liev Schreiber as Ray Donovan (Ray Donovan)
Kevin Spacey as Frank Underwood (House of Cards)
Milo Ventimiglia as Jack Pearson (This Is Us)

My Pick: Sterling K. Brown. I just love him a lot. He’s one of the best actors on television right now and I always want to shower him in awards and praise.
Prediction: Sterling K. Brown. After his win for People vs. OJ last year and the great work he’s doing on This Is Us, I think Brown has his second Emmy all but guaranteed tonight.

Outstanding Lead Actress In A Drama Series

Viola Davis as Annalise Keating (How to Get Away with Murder)
Claire Foy as Queen Elizabeth II (The Crown)
Elisabeth Moss as June Osborne/Offred (The Handmaid’s Tale)
Keri Russell as Elizabeth Jennings (The Americans)
Evan Rachel Wood as Dolores Abernathy (Westworld)
Robin Wright as Claire Underwood (House of Cards)

My Pick: Elisabeth Moss. This is one of the roles of the year that I won’t forget and that is entirely due to Moss’s abilities. She conveys so much in her face and it’s incredible to watch.
Prediction: Elisabeth Moss. I think the acting categories are where The Handmaid’s Tale will shine the brightest tonight and that includes its leading actress in one of her strongest roles.

Continue reading Emmy Predictions 2017

100 Days of Fan Favorites: Day Six

It is a tale as old as time. Two people, who meet under less than ideal circumstances and each with misconceptions about the other, embark on a journey together that reveals their truest selves. This journey changes them and forces them to reevaluate what they once believed about the world. It takes them from antagonists to allies to friendship and love that is based on mutual respect and trust.

It’s a ship type that I will never get enough of and for me, there is not a better example than Jaime and Brienne. Where there was once contempt and insults, there is now the highest regard and belief in the other’s honor. They have come a long way from their initial meeting and the early part of the journey to King’s Landing and each of their reunions has only served to reinforce their bond. 

Just as a side note, while I have loved these two since I read the books, it’s also been a very long time since I have read them and as they’ve taken rather different paths, I largely opted to stick with the show for this piece. 

Throughout the Seven Kingdoms, Jaime Lannister’s name was synonymous with betrayal. He was the Kingslayer – the member of the Kingsguard who murdered Aerys Targaryen. It’s an identity he took on as a shield, turning himself into the cruel, honorless person everyone assumed him to be. He openly scoffed at the idea that vows could mean anything, after all, they would only inevitably conflict with each other. Keeping them was impossible, so why bother trying. He was cynical and fatalistic in his beliefs and no longer believed in idealistic notions like honor and loyalty.

Brienne is looked upon with similar disregard and distrust. Women in Westeros, especially the daughter of a Lord, weren’t supposed to be fighters. They weren’t supposed to feel more comfortable in armor than in dresses and more at ease with a sword in their hand instead of a polite smile on their face. They were supposed to grow up wanting to be princesses and ladies, not knights. Brienne’s physical appearance and interests made her an outcast, someone to be mocked and sneered at. She dedicated her service to Renly Baratheon, becoming a member of his Rainbow Guard. He was kind to her and she loved him for it. When he was murdered, she was the one blamed as she had been the one with him. She failed at her oath. But it didn’t stop her from believing in their power and worthiness. She didn’t stop believing in honor. Even as she pledged her loyalty to Catelyn Stark, it was on the condition that she could one day avenge Renly. She meant to keep her word, even though he was no longer there to hold her to it.

Even if we disregard the fact that Brienne is working with Jaime’s captors, it is natural to see why the two clashed when they met. Jaime stood against everything Brienne believed in. The idea of betraying your king to his death was unfathomable to her, as was the notion of conflicting vows. Brienne was a shining example of everything Jaime had turned his back on. She was true to her sense of self and the values of a knight, despite the mockery of everyone around her. It made her an easy target for him to provoke and for a time, he was more than happy to be the arrogant lion he was raised to be.

Continue reading 100 Days of Fan Favorites: Day Six

Dream Emmy Nominees 2017

Next week, the nominees for the 2017 Primetime Emmy Awards will be announced and while I am preparing myself for my typical levels of resignation about the sameness of the nominees year-to-year, I wanted to take this opportunity to celebrate the shows, actors, and writing from the past year that I have loved. As usual, this is a list made from the shows I have seen at least half a season of over the past year and I am leaving out a lot of likely and worthy nominees that I don’t watch. If you’d like to play along, the official Emmy ballots are located here then head to the comment section to tell me about the things you’d like to see recognized!

Outstanding Comedy Series

  • Brooklyn Nine-Nine
  • Crazy Ex-Girlfriend
  • The Good Place
  • Jane the Virgin
  • Master of None
  • One Day at a Time
  • Speechless

This category is all kinds of ridiculous. Even leaving out favorites like Veep and Atlanta, my original list had 14 potential options and narrowing them down was extremely difficult. This is an excellent time to be a comedy fan. Whether you prefer more traditional network sitcoms or inventive cable and streaming series, there are people doing a lot of very good work in their chosen areas.

Outstanding Drama Series

  • The Americans
  • The Crown
  • Halt and Catch Fire
  • Queen Sugar
  • Rectify
  • Sweet/Vicious
  • The Handmaid’s Tale

I’ll be honest, I don’t watch a lot of acclaimed drama series. Those I love, I love dearly, but as a whole, “prestige dramas” for lack of a better term are failing to catch my attention. I would love for Rectify to be recognized for an outstanding final season and I know that Sweet/Vicious is truly the longest of long-shots but while I don’t expect them to be nominated, I’d be remiss in not pointing out the excellent work being done by both.

Continue reading Dream Emmy Nominees 2017

What to Watch (and Read): Summer Recommendations 2017

Now that summer has started (at least in terms of TV seasons), it’s the perfect opportunity to start the shows you missed out on over the year or already canceled shows you’ve been meaning to get to but don’t have time to watch over the regular season. It’s also an excellent time to catch up on some reading and discover new favorites. I started these posts last year as a way to share some of my own favorites with you (and I stand by all of those recs if none of these appeal) but this year, it’s also given me a chance to examine what it is that I’m looking for from my fiction right now.

To put it simply, all of these shows make me feel hopeful in some way. Many of these stories involve people fighting back against oppressive or unjust systems. Many involve characters figuring out who they are and learning to love that person. All of them show that we’re better with others, that vulnerability and connection are our best strengths. Those are the messages I want to hear. I want to remember that we can all make a difference and leave the world and people around us better because we’ve been there. I hope you all can find something to enjoy and potentially try in this list, and if you do, I’m always here for discussions about them either in the comment section or via Twitter.

Shows

Sweet/Vicious You could isolate a lot of the different components that make up this show and it would still be good. Jules and Ophelia being paired together as roommates or lab partners who become friends would still have been an entertaining show. The concept of women teaming up to be vigilantes who target men who assault women is still appealing even if the only focus was the job and not on their friendship. The story of a young woman recovering and beginning to heal from her own sexual assault would still have been powerful and compelling on its own. To combine all of those elements into the same show and to blend them so well is nothing short of masterful. It was a show that could make you laugh, make you cry, and make you angry (at the characters, not the writing) all in one episode and it is better for it. It tackles rape culture head on and does so through these compelling characters and their relationships with each other. It was a special show and deserved more than one season but it achieved a lot in only ten episodes. It will be a show that stays in my head for a long time to come.

Leverage This show was everything I could have asked for in one beautiful package. It was only supposed to be one job. They were hired for a purpose and that was gonna be it. Seventy-seven episodes later (with more cases implied that we never see), Leverage came to an end. There were heists and cons and trying to bring bad guys (often the heads of corporations) to justice. People fell in love and discovered the person they wanted to be. They found acceptance and family and purpose in each other and in the acts they did. It was a remarkably consistent show, even in later seasons as it played around with its general format. As a showrunner, John Rogers understood that people are often there because they’ve become invested in the characters and he rewards that investment. This show doesn’t lose sight of who they are and the emotional payoff is truly wonderful. It is one of my favorite pieces of media I have ever consumed and I would love for everyone else to see and enjoy it too.

Queen Sugar  If a show can make me cry in its first episode, I’m probably gonna be sold and that’s exactly what Queen Sugar did. This show is beautiful, both in its cinematography and its content. After losing their father, the Bordelon siblings come together to save his struggling sugarcane farm. It is a story of perseverance, of rebuilding after varying struggles. It’s about coming to terms with who you are and reclaiming your history and your story. In addition to saving the farm, each member of the family (along with their Aunt Vi) has their own personal journey to undertake. This is a show of incredible empathy that it extends to each of its characters. It understands that people are never just one thing and are more than the mistakes they’ve made and the hurt they’ve caused in the past. They are allowed complexity. They have strengths and flaws and sometimes those are the same thing. While more dramatic (and a little faster paced) than Rectify, it shares a similar core of humanity that touches me deeply.

Superstore Nothing on TV makes me laugh harder than this show. That would be enough for me to recommend it since there are very few shows that actually make me laugh out loud, especially not multiple times an episodes. But it’s merits don’t lie solely in the comedic moments. From the first episode, it’s shown a willingness to wear its heart on its sleeve. It’s those moments of beauty that drew me in but it’s the characters that keep me invested. They can be completely ridiculous, as many comedy characters are, but they are more than just caricatures. They feel lived in and real in a slightly over-the-top way. This is the show you should start if you need more laughter in your life, and really, who doesn’t?

Legend of Korra I watched Avatar: The Last Airbender last year and fell in love with this universe. The beautiful animation, worldbuilding, and wonderful characters have made it a show for both children and adults to love and much of that is continued in Legend of Korra. Though they occupy the same universe and events in Avatar are referenced and certain characters make an appearance, you don’t need to have seen Avatar to watch Korra. The series is quick to catch new viewers up on any important mythology and quickly establishes a tone of its own. The characters in Korra are older, as was the intended audience, and it’s reflected in the topics it takes on (though Avatar didn’t shy away from heavier topics either). It looks at prejudice and oppression throughout the series and spends the best arc of the series looking at healing from trauma and reclaiming your power and identity. This is a female-centric show that shows us so many different types of women all with their own strengths and abilities in a way that few other shows do so if that appeals to you, I would encourage you to try out the show even if you’re not typically a fan of animated shows.

Continue reading What to Watch (and Read): Summer Recommendations 2017

Alive or Dead, the Truth Won’t Rest: A Letter to Georgia Mason

In honor of Galentine’s Day this year, Katie reopened submissions for The Fan Mail Project and reminded us how important it is for us to use our voice and talk about the qualities and values that matter to us. That it’s important for us to tell our stories. So I thought it was time for me to share another one of my own letters, this time to a fictional character I’ve been thinking a lot about lately. The Newsflesh series is one of the pieces of fiction that make up the foundation of who I am and who I want to be and Georgia is a big part of that. And while this letter is addressed to George, I also have to thank Seanan McGuire for every word she’s written in this universe. It has meant the world to me.

If you have a fictional character who has shaped your life, I once again ask you to consider participating in this incredible project. Writing these letters is an emotional experience but so worth it.

Dear George,

More than ever, I wish you were real. I wish After the End Times were real. We may not have zombies for Shawn to poke but we need your commitment to truth and inability to stay quiet about the things that are most important. We need your tendency to dig until you get to the root of a story and your ability to make people care. We need your reminder to rise up while we can.

Thank you for valuing truth. The very concept of “post-truth” or “alternative facts” that we seem to be stuck with right now would infuriate you. But it would also motivate you to push harder and to investigate deeper. You’ve never been content to accept the world as others present it to you and I admire that. You’re always looking for the facts independent of the story, not only for yourself, but so you can give them to your readers. You believe that people are smart enough to interpret facts for themselves so long as they are given access. In that, you may be a little idealistic, but I think it comes out of underestimating what makes you extraordinary.

Prioritizing truth the way you do is hard. It’s uncomfortable when the truth isn’t what we’ve been led to believe. It means constantly addressing those underlying beliefs we’re not even aware we possess and reevaluating them in the face of new information. It takes a lot of mental strength to be able to do it at all, let alone to live your life based on that principal. You aren’t scared by the hard truths because you know that it is only in them that we can truly be free and be better than we were. You embrace that discomfort because you recognize that it often means your information is just a little better than it was before and that is always your end goal.

Continue reading Alive or Dead, the Truth Won’t Rest: A Letter to Georgia Mason

100 Days of Fan Favorites: Day Five

I really will finish these one day. 100 Days of Fan Favorites is back with a whole lot of feelings about a couple who captured my heart last summer.

In case you do feel like clicking on the links, YouTube and I weren’t getting along this morning and I couldn’t cut clips the way I would have liked and the video they are pulled from is a very long compilation so once the scene changes, feel free to click out of it.  

We’re told a story of destinies and fates growing up. The one we’re supposed to be with will come to us in a big moment that changes the course of our lives. They’ll be the one rescuing us from the monkey bars and our first crush can stay with us forever. It’ll be just like a fairy tale, with the beautiful princess who meets her Prince Charming and they’ll live happily ever after. That’s how it’s supposed to work, right?

Boy Meets World gave us a story of happily ever after. Yes, we know that Cory and Topanga had their share ups and downs; there was a ski lodge and an art museum and times of doubting it was really right. But early in their lives, they knew they were it for each other. Topanga knew she was in love with Cory Matthews, and most importantly, she wanted to be. He knew their love would survive, even when no one else did. They did end up together and it was beautiful. Loves like theirs happen. It’s been 13.5 years since I started dating my high school sweetheart, the boy I knew I loved with as much certainty as Topanga knew she loved Cory. But they aren’t the only love stories worth telling.

What if the right person isn’t the girl who falls in your lap and changes your world? What if the right person is the one who pushes her?

Welcome to the story of Maya Hart and Lucas Friar. It’s not an easy story and I still firmly believe the show left off in the middle of it, but it’s a story that stole my heart and let me reflect back on my own teenage years and the all too confusing process of trying to figure out what love really was.

Continue reading 100 Days of Fan Favorites: Day Five